Mara Maionchi and Gianna Nannini – solospettacolo.it (web source)
Mara Maionchi recalls the epochal clash with singer Gianna Nannini: The history of the record company is surprising.
The record producer Mara Maionchi In 1967, thanks to an ad in the newspaper Il Corriere della Sera, she landed in the music industry and began developing her skills at Ariston Records.
After the first collaboration with Ornella Vanoni and Mino Reitano, the real Bolognese accepted the offer of Mogol and Lucio Battisti and settled as press secretary in the newborn record company Number one.
Mara Maionchi then took over the role of editor-in-chief at Dischi Ricordi and discovered the talent of a young woman in 1957 Gianna Nanninito bring them together thanks to an exclusive contract.
The two prima donnas of Italian music later went on to build solid careers in their respective sectors and maintained a relationship of mutual respect and trust. However, at the beginning of their relationship, they clashed bitterly, as evidenced by Mara Maionchi’s confession to Il Corriere della Sera.
Mara Maionchi says: “You couldn’t talk to him”
Many years after this happy announcement, Mara Maionchi gave an exclusive interview to Il Corriere della Sera, in which she traced the main stages of her recording career.
Fresh from a wide variety of collaborations with renowned artists, the producer recalled the days of her debut: “Milan was the capital of discography, and not only because there were no labels, but also because the music drew from the theatre, which in turn drew from publishing. Today you can listen to artists in many ways, but back then you had to place them, create spaces for them. Also in promotion. And then the problems started: Mina only wanted the covers, otherwise she would get sad, Lucio Battisti would start playing from 9am until she found the right chord, and before that you couldn’t talk to him…“.
Mara Maionchi – solospettacolo.it (web source)
The dispute between Mara Maionchi and Gianna Nannini
The producer also recalled her walk to Mogol and Battisti’s Numero Uno: “I sort of brought Finardi with me too. Lucio Battisti was one of the people who knocked me out when we first met. There was something simple and complex at the same time. I didn’t always understand talent. For example, I didn’t understand “The Doll” by Patty Pravo right away, I had to listen to it again. Nannini but no, when I heard her play for the first time I was touched…“.
However, the energetic rocker made life difficult for her: “She was a volcano, an incredible voice… Once we had a furious fight, I hit the table!“.