Was it worth it Bradley As Cooper scores another embarrassing

Was it worth it, Bradley? As Cooper scores another “embarrassing” Oscar for Maestro, we take a look at how he spent SIX years preparing the film

Bradley Cooper was rejected for Best Director at the Oscars for his film Maestro.

The 49-year-old actor was nominated for the series' other major awards, but failed to impress the Oscars voting committee.

Bradley starred in, co-wrote, co-produced and directed the Netflix biopic Leonard Bernstein and secured nominations for Best Actor and Best Picture.

But the director's snub will no doubt be a sore subject for the star, who made his feelings very clear when he failed to receive Oscar love for his directorial debut in 2018's A Star Is Born.

The film was a critical success and was nominated for eight Oscars, but Bradley said he was “embarrassed” by not being nominated for the Best Director category.

Bradley Cooper (pictured on Tuesday) was rejected for Best Director at the Oscars for his film Maestro, despite working on it for six years

Bradley Cooper (pictured on Tuesday) was rejected for Best Director at the Oscars for his film Maestro, despite working on it for six years

Bradley starred, co-wrote, co-produced and directed the Netflix biopic Leonard Bernstein and managed to get nominations for Best Actor and Best Picture, but not for Best Director

Bradley starred, co-wrote, co-produced and directed the Netflix biopic Leonard Bernstein and managed to get nominations for Best Actor and Best Picture, but not for Best Director

The snub will no doubt be a sore subject for the star, who made his feelings very clear when he failed to receive any Oscar love for his directorial debut in 2018's A Star Is Born (pictured in the film with Lady Gaga).

The snub will no doubt be a sore subject for the star, who made his feelings very clear when he failed to receive any Oscar love for his directorial debut in 2018's A Star Is Born (pictured in the film with Lady Gaga).

The actor and filmmaker spoke out during Oprah's “SuperSoul Conversations” in Times Square and admitted, “I was embarrassed.” I was in a coffee shop in New York City and I looked at my phone and Nicole [Caruso, his publicist] congratulated me and told me what we were nominated for.

“You didn’t even tell me the bad news. I was embarrassed because I felt like I hadn’t done my job.”

Although he didn't receive any credit for A Star Is Born, he was clearly bitten by the directing bug, as he had started thinking about Maestro during the film's promotional campaign.

His work on the biopic began in 2018 when he was hired to play Bernstein in the project directed by Steven Spielberg.

When Steven pulled out of the project to devote more time to his West Side Story remake, self-proclaimed lifelong classical music fan Bradley refused to abandon the project and instead presented himself as the new director.

He convinced Steven to let him take on the role after showing him his directorial debut in A Star Is Born. Maestro producer Kristie Macosko Krieger revealed that he couldn't get Maestro out of his head even during the promotional campaign for his musical drama and suggested then the idea came to her.

She told The Hollywood Reporter: “He said, 'Can I present to you my idea for the opening of the film?' He introduced me, frame by frame, to what we're actually seeing now in a film in 2023.

“He thought about the film non-stop for six years. I would venture to guess that I easily received 3,000 text messages from him over the course of filming the film.”

Bradley completely transformed himself into composer Leonard Bernstein for the biopic Maestro (immediately in 2022) through the artful use of prosthetics and film makeup. Bradley's work on Maestro began back in 2018 when he was cast as Bernstein in the Steven Spielberg-directed project

Bradley completely transformed himself into composer Leonard Bernstein for the biopic Maestro (immediately in 2022) through the artful use of prosthetics and film makeup.

Bradley used method acting to get into the psyche of Leonard Bernstein (pictured)

Bradley used method acting to get into the psyche of Leonard Bernstein (pictured)

Not only did Bradley make sure he could do the film justice with his direction, but he also made sure he embodied the role of the famous American composer by spending six years learning how to compose… for a six-minute scene.

The scene in question was the recording of Bernstein's iconic performance as conductor of the London Symphony Orchestra at Ely Cathedral in 1976, which “terrified” Bradley.

During a Tastemaker screening, he confessed: “That scene worried me a lot because we did it live.” That was the London Symphony Orchestra. I was recorded live, I had to conduct them.

“And I spent six years learning how to conduct six minutes and 21 seconds of music,” he admitted, thanking his “wonderful teachers” for all their help along the way.

“I was able to get the rough version where I just saw Leonard Bernstein [conduct] In 1976 I took part in Ely Cathedral with the London Symphony Orchestra and so I had the opportunity to study that.

“And Yannick Nézet-Séguin made videos with all the tempo changes, so I had all the materials that I could just work on,” he continued.

“It was really about choosing exactly what I wanted cinematically and then inviting them to inhabit that space and trusting that they all got the job done.”

“Because I think I knew it, I was terrified, absolutely afraid that if I hadn't done the work I wouldn't be able to enjoy those scenes. And that's what everyone did.'

Bradley also practiced method acting for the role and even stayed in character while directing scenes.

When Steven pulled out of the project to devote more time to his West Side Story remake, self-professed lifelong classical music fan Bradley refused to drop the project

When Steven pulled out of the project to devote more time to his West Side Story remake, self-professed lifelong classical music fan Bradley refused to drop the project

Explaining that he has been using method acting since he starred opposite Christian Bale in 2018's American Hustle, he revealed: “I've played Lenny his whole life.” I spent three to six hours every day Makeup trailer before the crew arrived.

“It was hilarious because back in the days when I was little Lenny, the energy on set was faster and we got more done.” And when I was the old Lenny, things slowed down. If you ask the crew or cast, Lenny directed the film.

He added to the Hollywood Reporter: “I have hand signals with the sound mixer and the cameraman. “I'm not calling for action. After everything is set up, I just start talking and bring the actors along, and often they don't know we're getting started.

“And then they say, 'The scene is over.' And they say, “Huh?” I am [playing] “Lenny Bernstein, I’m not breaking into the role.”

Full list of 2024 Oscar nominations – see who's nominated for this year's Academy Awards

best picture

American fiction

Anatomy of a fall

Barbie

The leftovers

Flower Moon Killer

maestro

Oppenheimer

Past lives

Poor things

The zone of interest

Best Director

Justine Triet, Anatomy of a Fall

Martin Scorsese, Killers of the Flower Moon

Christopher Nolan, Oppenheimer

Yorgos Lanthimos, poor things

Jonathan Glazer, The Zone of Interest

Actress in a leading role

Annette Bening, Nyad

Lily Gladstone, Killers of the Flower Moon

Sandra Huller, Anatomy of a Fall

Carey Mulligan, maestro

Emma Stone, Poor things

Actor in a leading role

Bradley Cooper, maestro

Colman Domingo, Rustin

Paul Giamatti, The Holdovers

Cillian Murphy, Oppenheimer

Jeffrey Wright, American Fiction

Actress in a supporting role

Emily Blunt, Oppenheimer

Danielle Brooks, The Color Purple

America Ferrera, Barbie

Jodie Foster, Nyad

Da'Vine Joy Randolph, The Holdovers

Actor in a supporting role

Sterling K. Brown, American Fiction

Robert De Niro, Killers of the Flower Moon

Robert Downey Jr., Oppenheimer

Ryan Gosling, Barbie

Mark Ruffalo, Poor Things

Animated feature film

The Boy and the Heron

Elementary

Nimona

Robot dreams

Spider-Man: Across the Spider-Verse

cinematography

El Conde

Flower Moon Killer

maestro

Oppenheimer

Poor things

Original script

Anatomy of a fall

The leftovers

maestro

May December

Past lives

Adapted script

American fiction

Barbie

Oppenheimer

Poor things

The zone of interest

Success in production design

Barbie

Flower Moon Killer

Napoleon

Oppenheimer

Poor things

Performance in sound

The creator

maestro

Mission: Impossible – Dead Reckoning Part One

Oppenheimer

The zone of interest

Original song

“The Fire Inside” by Flamin' Hot

“I’m just Ken” by Barbie

“It Never Went Away” by American Symphony

“Wahzhazhe (A Song for My People)” by Killers of the Flower Moon

“What was I created for?” by Barbie

Original score

American fiction

Indiana Jones and the Dial of Destiny

Flower Moon Killer

Oppenheimer

Poor things

Live-action short film

The after

Invincible

Knight of Fortune

Red, white and blue

The wonderful story of Henry Sugar

Animated short film

Letter to a pig

95 senses

Our uniform

pachyderm

THE WAR IS OVER! Inspired by the music of John and Yoko

Documentary feature film

Bobi Wine: The People's President

The eternal memory

Four daughters

Kill a tiger

20 days in Mariupol

Documentary short film

The ABC of book banning

The Barber of Little Rock

island in between

The last repair shop

Nǎi Nai and Wài Pó

International feature film

Io Capitano, Italy

Perfect days, Japan

Society of Snow, Spain

The Teachers' Lounge, Germany

The Zone of Interest, United Kingdom

Make-up and hair styling

Golda

maestro

Oppenheimer

Poor things

Society of Snow

Success in costume design

Barbie

Flower Moon Killer

Napoleon

Oppenheimer

Poor things

Success in film editing

Anatomy of a fall

The leftovers

Flower Moon Killer

Oppenheimer

Poor things

Visual effects

The creator

Godzilla Minus One

Guardians of the Galaxy Vol. 3

Mission: Impossible – Dead Reckoning Part One

Napoleon