There is no prism on the cover, but light broken up into a rainbow can be seen on Marco Mengoni’s face. Impossible not to think of one of the most famous covers (most famous?) in rock history: “The Dark Side of The Moon”. The degree of separation between Marco Mengoni and Pink Floyd is less than one might suspect: “I chose the title regardless of the anniversary of the album,” said the singer, who had shown a band at Eurovision that used the night to sleep : “I hope you bring luck”.

It worked: “I should buy another one,” jokes Marco Mengoni: Eurovision went well, the third album in less than two years is finished, the trilogy is complete. After the “earth” and the “skin” comes the “prism”. It’s not the album with its darker side, but it’s an album that combines introspection with a “clubby” vibe. The Prisma is a filter for emotions and music: “This is a record where much more attention is paid to the rhythmic dimension and I’ve also played with my voice, filtering it with plug-ins known as Prisma for my voice act.” But that’s also it. “An album I’m a little angry about: because I don’t know how to say no, because I’d like a different world, because people don’t really get along.” I thought, lived and wrote this album analyzing moods and behaviors, from the more carnal or not very rational, but also the usual and familiar, trying to show a filtered view of what human nature has shown me.”

The end of the trilogy

The trilogy ends a little less than two years after “Matter (earth)” and a year after “Matter (leather)”. It’s going to stay that way and there won’t be a sequel: “I learned from this trilogy that I’ll never do another one…” he jokes. “When you make a one-off record, you can complete it, you take time to think. In this case, there were things I wanted to tell that don’t fit into just one album.” Such a vast body of work “is a continuous analysis of itself and others, without ever pausing. That consistency makes you tired,” he says.

The first stadiums are in 2022, the victory in Sanremo in 2023, then the Eurovision, then the other stadiums this summer and a European tour in the arenas and arenas in the fall. “I still don’t know how to speak and how to say meaningful sentences,” he smiles. “I’m privileged, I do very cool things… But the next person who says to me, ‘You’re going to sing anyway,’ I first hug him – never forcefully – and then I burn him with a look. It’s a job that comes with emotions, and dealing with them isn’t easy,” he says.

“I haven’t had a private life for a year because when you come home you want a moment to yourself, to be there and to get away from it all. I’m trying to keep track of everything at the front and it’s a big job. I had a great time, I didn’t expect what was happening in Sanremo, nor with the reception at the Eurovision Song Contest: I learned a lot of English to enjoy it. From one to ten I am 100 satisfied.”

The collaborations, from Calcutta to Elodie and Ernia

In addition to “Due vite”, which begins in the Sanremo version on the CD, there are several recordings. The first is the new single “Pazza Musica” featuring Elodie, a kind of catchphrase without the classic traits: “We’re a little bit bucking the trend, we didn’t incorporate any Latin rhythms. Elo is a friend, we share some fears and concerns: let’s hope the music drives them away,” she explains

And then Ernia, with whom Mengoni had made a duet in “Everybody is afraid”; The rapper retaliates with “Pride Flowers.” “He’s a friend, he wrote one of the most beautiful albums in the last 10 years,” says Mengoni. “The song was born entirely my piece,” he explains – so that it’s in a double version, also “solo”. “It’s already a very tight song melodically because my voice leans to the melody and I wanted to hear a rapper interpret it. Then he wrote a very melodic part, we got along well.”

Author collaborations include “Calcutta” autographing “Due Nuvoli” (in which he also plays bass and guitar): “It’s the piece that brings me the most joy, you really feel like a cloud: it acts as. “ Counterbalance to the other, more introspective”.

There’s Fabio Ilacqua again, co-signing The Wretched of the Earth, inspired by a book by the philosopher Frantz Fanon: “With Fabio we fully compensate, like in a puzzle, he’s one of the people in this work.” I love him more , he’s like a mentor to me and I think he thinks that of me even though I’m younger and have read fewer books. He’s better at organizing my thoughts than I am: on the surface he’s always stuck to a certain genre of music, but then he gets carried away by the things I let him hear.

The tour, the future

The next steps? The Tour: Starting with the zero date on June 17th in Bibione, then stadiums in Padua, Salerno, Bari, Bologna, Turin, returning to San Siro and ending at the Circus Maximus on July 15th, then in Europe in the fall, starting in Barcelona October 18th. “The tour is part of the same project, but it will mutate and change, both for ‘Prisma’ and because I would have liked to change the line-up anyway,” explains Mengoni. Then a trip, or rather, living a bit abroad: “I’m fine in Milan, but I need to breathe more air. The Eurovision Song Contest confirmed to me how much I like these contacts and how much I talk to everyone. You open your brain very much.”

Leonardo DiCaprio and acclaimed filmmaker Martin Scorsese stunned in stunning attire at the glamorous Air Mail Party during the 76th Cannes Film Festival on Tuesday.

The Apple TV+ movie Killers Of The Flower Moon, which starred the Oscar winner, 48, and was directed by Scorsese, 80, received a remarkable nine-minute standing ovation after its premiere on Saturday.

The Inception actor wore teal pants and a matching blazer for the event, adding a black button-down shirt that he left open for a more casual look.

As he strolled through the Hotel du Cap-Eden-Roc, where the celebrations were taking place, he slipped into a pair of black sneakers and comfortably carried a black beanie in his left hand.

Martin also dressed for the occasion, wearing a navy blue blazer, matching waistcoat and crisp white shirt.

Ready to party: Leonardo DiCaprio, 48, and acclaimed filmmaker Martin Scorsese, 80, looked impressively dressed as they attended the glitzy Air Mail Party at the 76th Cannes Film Festival on Tuesday

Dressed to impress: The Inception actor wore teal pants and a matching blazer for the event, while adding a black button-up shirt, which he left open for a more casual look

The filmmaker added a light blue tie to the look and slipped on a pair of sleek black dress shoes to complete his overall ensemble for the star-studded party.

The two stars, who have worked together on numerous projects over the years, were seen chatting as they stopped by the event as part of the annual festival, which concludes on May 27.

Her latest Apple TV+ film, Killers Of The Flower Moon, has garnered critical acclaim since it premiered at the festival on Saturday.

The project is based on a 2017 nonfiction book called Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann.

The star-studded cast includes Leonardo, Robert De Niro, Brendan Fraser, Lily Gladstone and also Jesse Plemons.

The premise follows: “Members of the Osage tribe in the United States are murdered under mysterious circumstances in the 1920s, sparking a major FBI investigation related to J. Edgar Hoover,” reads an IMDB synopsis.

After the film’s screening in Cannes, the project received a whopping nine-minute standing ovation, according to Variety.

Addressing the applauding crowd to express his gratitude, Scorsese said, “Thank you the Osages.” Everyone has linked to the image. My old friends Bob and Leo and Jesse and Lily. We shot that in Oklahoma a few years ago. It’s been a long time coming, but Apple has been great to support us.’

Elegant: Scorsese was also dressed for the occasion, wearing a navy blue blazer, matching waistcoat and crisp white shirt

Success: Her latest Apple TV+ film, Killers Of The Flower Moon, has garnered critical acclaim since it premiered at the festival on Saturday

Positive Response: Following the film’s screening in Cannes, the project received a whopping nine-minute standing ovation, according to Variety

Adaptation: The project is based on a 2017 nonfiction book called Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann

He continued, “There was a lot of weed.” I’m a New Yorker. I was very surprised. That was an amazing experience. We lived in this world.’

The three-and-a-half hour film had a budget of $200 million and premiered 45 minutes late at the festival on Saturday. The film was also Martin’s first film to be screened at Cannes since his 1985 project After Hours.

The film’s late release hasn’t deterred the numerous positive reviews and already has a current score of 95% on Rotten Tomatoes.

Critics who managed to snag a ticket for the first screening were greeted with words like “scorching” and “masterpiece.”

IndieWire said DiCaprio gave “his best performance ever,” while The Guardian gave it five stars for a “remarkable epic about America’s bloody birth.” There were some dissenting comments, with The Times calling it a “wet squib.”

A range of projects: Leonardo and Martin have worked together on a total of six feature films to date, including ‘The Aviator’ (2004) and ‘The Wolf Of Wall Street’ (2013).

A “masterpiece”: Critics who managed to snag a ticket for the first screening were greeted with words like “scorching” and “masterpiece.”

Expected: After Killers Of The Flower Moon premiered in Cannes, the film is slated to hit theaters later this year on October 20

The red carpet itself attracted a host of celebrities at the film’s premiere, including Cate Blanchett, Salma Hayek and Paul Dano.

Leonardo and Martin have worked together on a total of six feature films, including The Aviator (2004) and The Wolf Of Wall Street (2013).

Robert De Niro, who recently gave birth to his seventh child, has also collaborated with Scorsese on several projects including Goodfellas (1990), Taxi Driver (1976) and The Irishman (2019).

Following the premiere of Killers Of The Flower Moon in Cannes, the film is slated to hit theaters later this year on October 20th.

One of the peaks proposed by PSOL was voted on and rejected. The plan was to remove the cost control triggers from the text. Lira closes the session and voting on the other highlights is for this Wednesday (25th). Good night!

1 hour ago

The chamber approved the basic text of the new tax regulation with 372 to 108. Read the full article.

Voting result this Tuesday (23) on the basic text of the new budgetary framework in the Chamber of Deputies. — Photo: Reproduction/TV Câmara Result of the vote this Tuesday (23) on the basic text of the new budgetary framework in the Chamber of Deputies. — Photo: Playback/TV Camera

2 hours ago

Voting is open. Parties lead their benches.

2 hours ago

With 371 to 105 votes, the deputies approved the end of the discussion phase.

2 hours ago

MEPs are now voting on the motion to end the discussion phase.

2 hours ago

Cajado finishes reading the statement. MEPs vote for or against the text.

3 hours ago

The deputy rapporteur Cláudio Cajado (PPBA) read out his opinion.

4 hours ago

By a vote of 342 to 105, MEPs rejected a motion to remove the proposal from the agenda.

4 hours ago

MPs are now examining Novo’s request to remove the project from the agenda.

4 hours ago

Good night. O g1 starts broadcasting the session where the Chamber of Deputies has to vote on the new budget framework. The Lula government’s proposal replaces the spending cap and plans to organize public finances over the next three years.

To be accepted, the text needs at least 257 of the 513 votes. Then it goes to the Senate.

4 hours ago

A temporary farewell, but a farewell nonetheless, for Marie-Eve Janvier regarding her role as host of the radio show Lunch girls!

• Also read: Shortly before giving birth, Marie-Eve Janvier asks her subscribers for help

• Also read: A few days before the birth, Marie-Eve Janvier shows her baby bump

In fact, the future mother of the little one Louis He recently delivered a touching farewell message to his loyal listeners on his radio show FM rhythmwhen she is about to give birth to her first son.

“Now it’s time to say to you: See you next season! Uh yes! “It’s time for me to focus on the final stretch that represents this beautiful and grand adventure of my last pregnancy,” reads an adorable photo of the presenter and singer behind her mic.

“Thank you to my extended Rhythm family for this chance to take the time. The rest won’t last long though, and that’s perfect! I can’t wait to see you again for the start of the school year in August. Make the most of the beautiful season ahead!” she concluded by expressing her gratitude.

Keep in mind that Marie-Eve has been out of ideas lately on how to while away the time while she awaits her final labor pains. By the time her third child was born, she had sought valuable advice from her subscribers.

While awaiting his return to animation from Lunch girlsIn the company of Patricia Paquin and D’Anouk Meunierthe entire team of 7 days wishes her to enjoy the last moments of her pregnancy.

• Also read: Marie-Ève ​​Janvier reveals the name of her third child and it’s a touching tribute to her brother who died of cancer

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