‘You showed me what true love really is’: Millie Mackintosh shares an adorable love letter from her husband Hugo Taylor as she opens up about their marriage

By Laura Parkin For Web

9:07 AM BST, 15 September 2022 | 09:07 BST, 15 Sep 2022

Millie Mackintosh has shared an adorable love letter that her husband Hugo Taylor gave her to mark their first wedding anniversary.

The TV personality, 33, who has been married to former Made In Chelsea star Hugo, 36, since 2018, gave fans a glimpse into their relationship on Wednesday.

Taking to Instagram, Millie answered a series of questions from her followers, with one person asking what the framed letter was on her bedroom wall.

Sweet: Millie Mackintosh, 33, has shared an adorable love letter that her husband Hugo Taylor gave her to mark their first wedding anniversary

Millie took a close-up of the letter, which read, “To my dearest darling cherished cherished amazing woman Camilla I adore.”

“I give you this letter today on our first wedding anniversary, this paper symbolizes the blank sheet that we fill with our own unique, glorious and inspiring love story.

“May the light and happiness of the past year shine forth like a beacon in the night to reveal the mysteries and adventures of the future together.

“May the magic of your embrace keep me warm from the coldest storms, sheltered in the harshest storms, and always bask in the glow of our everlasting loving radiance.”

Husband and wife: The TV personality, who has been married to former Made In Chelsea star Hugo, 36, since 2018, gave fans a glimpse into their relationship

Hugo’s letter continued: “I’m so proud of you. For 365 days you showed me what true love really is. By the strength of your character, the humility of your spirit, and the generosity of your soul, you have lifted our marriage to heights I never thought possible.

“You have led us through turbulent and difficult times with courage and fortitude to be stronger than I could have ever imagined. I learned from you that you never stop working to build a life together.

“I promise until the day I die that I will never take you for granted, never stop to make each year of our life together as happy as our first together, to never let you down and you always to give what you deserve.”

Delightful: Hugo penned: “You have led us through turbulent and difficult times with courage and fortitude to be stronger than I could have ever imagined.”

“You give me a feeling that always glows. I live for that feeling and have from the moment I met you 10 years ago. Thank you for believing in me and for standing by my side.

“This first year has undoubtedly shown me that we are stronger unattached. An unbreakable bond that we celebrated so beautifully and in amazement with all our friends and family on Midsummer Night’s Dream.

“I will never forget the explosion of infinite joy I felt watching you walk down the aisle, knowing I had found my partner for life. Mi bandido para vida [My bandit for life].

Millie and Hugo are parents to adorable daughters Sienna (two) and Aurelia (ten months).

He concluded: “May this letter always stay close to you, reminding you that true love is real and that we live and breathe it every day. I can’t wait to spend the next 1, 5, 10, 15 years together and to see our family grow.

“With respect, adoration, admiration, gratitude, endless kisses, wildest wishes and most importantly, all my endless love. Your husband Hugo.«

Millie and Hugo are parents to adorable daughters Sienna (two) and Aurelia (ten months).

Elsewhere, she added that the couple are “very happy” with their two girls and will not have any more children.

Elsewhere, she added that the couple are “very happy” with their two girls and explained they won’t have any more children

It was in January 2017, around the same time that David Bowie’s death turned one year old. American director Brett Morgen had a heart attack and for three minutes, he says, his heart wasn’t beating, which put him straight into a fiveday coma.

“My life was out of control, I was a workaholic,” the filmmaker recalled while sitting on the beach during the last Cannes Film Festival in May. “I would die at 47 and all I would leave my kids as a lesson would be this crappy idea that they had to work hard.”

Then, still on a stretcher, he remembered Bowie, whom he had met ten years earlier for a film project that never materialized. “I knew he was this amazing artist, but I had no idea what a wise person he was and how much I needed his messages.”

So it comes as no surprise that the British musician takes on the mien of an existential coach speaking about life and death amidst a lysergic edition that compiles interviews and live appearances.

“Yesterday, when I saw the film with 2,000 other people, I had the feeling that every sentence in it was addressed to me, to my doubts and traumas,” says the American, taking the gray bangs from the front of his sunglasses and untying them Knot .of the purple tie. The night before, he had wrinkled his tuxedo while somersaulting down the red carpet minutes before the session for Bowie’s 1983 hit “Let’s Dance.”

To shoot the film, which opens in Brazil this week following a special screening in Cannes, France, Morgen had exclusive access to footage belonging to the artist’s estate. “Movie theaters have the best sound in the world, so I wanted to make a film that would replicate the arena experience and not just be a biographical thing. Everyone knows the Beatles were born in Liverpool. , You know?”

In fact, “Moonage Daydream” might not be the best introduction for the uninitiated to the pantheon of personalities built by David Bowie. Or even the historical line that has followed his career in music, from becoming a name in the stream of British rock in the 1960s until he emerged around the turn of the decade and folk, psychedelia, avantgarde, in addition to a fondness for Kubrickian science fiction.

Those familiar with the musician’s various masks will recognize, for example, his missing astronaut Major Tom from “Space Oddity”, the extraterrestrial scalphobetic Ziggy Stardust and also the elegant Thin White Duke, who subsisted on milk, pepper and industrial cans of cocaine. The Berlin phase of “Heroes” is characterized by tonal purification and minimalism, so that the British artist went to the dance floor in his most pop phase in the 1980s.

Although she does not rely on the socalled “talking heads” the successive testimonies of third parties biographical details delivered in brushstrokes can be guessed at. We learned about the London boy, bored of middleclass life in Brixton, who got his big break in the arts in his stepbrother, a former aviator hospitalized with schizophrenia.

But everything we know comes out of Bowie’s mouth. He’s the one who tells his story in interviews scattered throughout the cut of the film, spouting a few catchphrases, lying and selfdenial truthfulness doesn’t matter, it’s a documentary about performance, the director defends.

“The film isn’t about Bowie, it’s about performance because he was acting all the time if you believe what Bertolt Brecht says about performance,” says Morgen. The German director himself appears at a certain point in the film, stacked with other references such as Nietzsche, Issey Miyake, Fats Domino, Kaneto Shindo, Vermeer, William Burroughs, Adorno, Jack Kerouac, Fritz Lang, Lennie Dale, Man Ray, Ingmar Bergman … “It couldn’t have been otherwise. It was Bowie who introduced me to the culture.”

At this point it is clear that the director is somewhat deserving of raising the musician to the altar of the inevitable names of culture an antenna of the times themselves, as the artist unmodestly describes in one of the interviews shown in the film and the borders blur between pop and scholars.

The Bowie that emerges from the film is “the antiKurt,” says Morgen, comparing “Moonage Daydream” to his earlier music documentary “Montage of Heck” about another rocker, the frontman of Nirvana, composed of recordings he made himself. by the guitarist months before he shot himself in the head.

“Kurt Cobain sang about the pain of loneliness, and so did Bowie in a way, but in a more sensitive way. It was a film about death. This is about life, which is the realization that we are dying every second.”

This post contains spoilers for The Handmaid’s Tale Episode 2. Act accordingly.

Well, the widow won this round.

Episode 2 of Season 5 of The Handmaid’s Tale – the second half of a two-episode premiere; Read a synopsis of Episode 1 here – Serena Joy Waterford, who somehow bent the American, Canadian and Gileadian governments to her will and performed a grand funeral in Gilead for Fred. Although Commander Waterford definitely did not deserve the pomp and circumstance, larger forces were at work. Gilead’s Governing Council viewed the event, which was to be televised abroad, as an impressive postcard for the nascent republic. And Serena saw it as a way to frame her former maid/Fred’s killer, who is now free and living in Canada.

Namely: After June and Luke dated at the ballet, they shared a romantic kiss in downtown Toronto … then looked up to see Fred’s funeral procession being broadcast on every big screen near them. And as if that wasn’t enough, Serena made a point of stopping by a group of school-age girls to accept a bouquet of white flowers from one of them.

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This girl? June and Luke’s daughter Hannah. Serena kissed her on the forehead and then looked straight at the camera, giving viewers a barely-there smile.

“We talked a lot about that finale – and we have a bunch of takes – but that final shot through that black veil, of Serena Joy and how much that mouth curls in a small smile,” executive producer Warren Littlefield tells TVLine . “Yes, she wants to honor Fred, but this is where Serena Joy steps in and takes the throne, and she’s masterful. She is powerful. She is a great chess player.”

Meanwhile, in Toronto, a horrified June and Luke think, “‘She’s got her hand on my kid!'” remarks showrunner Bruce Miller, with a chuckle.

The EPs add that Serena and June’s twisted relationship is the focus of the new season, which will provide glimpses into both women’s past and future.

“And so it begins!” says Littlefield. “Season 5 is all about that gameplay. It’s two people who hate each other, sometimes want to kill each other, have the ability, and then there’s this amazing respect that comes into play.”

What do you think of Serena’s masterpiece in Episode 2? Mute the comments!

Aurora Ramazzotti pregnant of the first child with Goffredo Cerza, who will be born in January. Even if the gossip launched by the weekly Chi has not been confirmed (nor denied) by those directly concerned and the showgirl continues to post photos on her Instagram profile where nothing seems to be leaking, it is once again Alfonso Signorini’s magazine to add details to the alleged pregnancy. This time there are photos of the “belly”.

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The first photos with the belly

Aurora Ramazotti was photographed by her in-laws with her partner during the weekend in Rome. In the photos, she wears camel-colored trousers and a black top that leaves her stomach uncovered. Covered by a large pocket, however, she shows a barely-there curve, which Chi says would be the first tangible indication of pregnancy.

The official announcement of the pregnancy

At the moment there is absolute silence about the arrival of the stork. Aurora Ramazzotti didn’t mention it and asked not to be asked any questions about it during her last public appearance at the Milan event ‘Il tempo delle donne’. Press silence also from Mama Michelle Hunziker and Papa Eros Ramazzotti, who are rumored to be very happy to become grandparents. The couple’s friends aren’t unbalanced either. In short, all that remains is to wait in anticipation.