The QUB Musique Playlist: Released July 15, 2022
With all the new music, what should you listen to? Stéphane Plante and Mélissa Pelletier from QUB musique point out 5 essential points!
Always flanked by his mad horses, the patriarch of Canadian-American folk rock is unwilling to store his enthusiasm in the veterans’ locker room. Going sluggish with the melancholic Quit in the opener, he shifts into second gear with Standing in the Light of Love, which could very well have landed on his 70s classics. Toast often refers us to this messy recipe from the more lazy – but oh so prolific, even hyperactive – still living pillars of rock. One does not always feel inspired to hear certain chord progressions. Along with just enough dirty and haunting riffs, Neil Young still nails his recognizable high vocal flights to perfection. The temptation to listen to a passage of Toast again and then dig through his old tunes will run through your head, that’s for sure. And that’s perhaps normal, knowing that this so-called last opus was recorded in 2000. In short, seven rivers of lament dripping with guitars, some like Timberline or How Ya Doin’? already sound like instant classics. (Stephan Plante)
LESBIAN WAKE UP ON THE AUTOTUNE – calamine ****
The rapper was inspired by an insult on social media for this title. Instead of turning everything into a reckoning, she preferred humor. Squeaky. Without ever diluting the denunciation of toxic behavior. In addition to sampling various media personalities, Calamine alternately quotes Alain Deneault, Hegel and… Roxane Bruneau! And the instrumentation isn’t just an erased prop for their sharp rhymes. They blend in perfectly with the tone. (Stephan Plante)
Formentera – Metric ***1/2
The Toronto band kick off their latest album with a 10-minute hymn to fallen love. Ten minutes, but they don’t last that long. Formentera thus offers a journey into electro territory without skimping on the guitars. Not even on piano ballads. The pop and introspective debauchery of Emily Haines is the main force of the nine tracks, supported by variable-geometry instrumentation. Enemies of the Ocean even reveals an irresistible arpeggio of sparkling guitars. (Stephan Plante)
tools down – pap***
Far from embarrassing their compatriots, the post-punk band hail from Leeds, England. On this third album that screams lightness, Dan Hyndman’s unconventional voice adds spice that could sometimes be lacking, despite the effective riffs, often straight out of ’90s rock, and the comical words thrown on them are based on everyday life. But vocal bragging for the sake of bragging can become boring in the medium term. Luckily, the group dares to break the tone with more authentic tracks like Group of Death and Dense Traffic. (Melissa Pelletier)
LOGGERHEAD – Wu Lu ****
I got curious about the music of the London-established artist via a remix of Seven Times by Wu-Lu’s Lianne La Havas… And wow, we were somewhere else! In LOGGERHEAD, the multi-instrumentalist throws his punk-bordering hip-hop tracks into our mouths, which put the left butt in the limelight. Transitioning from more contemplative atmospheres to wild ascents, the opus breathes, takes up space. It’s even a little slippery and thick at times due to the multiple sound textures, but it still hits its mark. And be careful, it goes inside. (Melissa Pelletier)
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