Kourtney Kardashian hit back at a troll who asked her if she was expecting a baby.

The 43-year-old socialite shared a photo of her standing in a nude bra and matching bottoms.

The image was a behind-the-scenes look at a photo shoot for her vitamin gummy brand, Lemme.

No baby on the way: Kourtney Kardashian says she’s not pregnant, and she’s not suffering any questions from people who think she is

In an instant, Kourtney placed a hand on the lower part of her stomach, a pose pregnant women are sometimes seen in pictures.

This may have been the reason for one of her social media followers to ask, “Wait a minute, I missed that she’s pregnant.”

The mother-of-three quickly put an end to all speculation about her family’s growth with her response.

Long curls: She laid back on a huge pile of vibrant decorations during the shoot

Shut people down: The mother-of-three was quick to shut down any speculation about her family’s growth with her response

“No, but you lack a woman’s body,” she wrote in response.

This isn’t the first time Kourtney has had to deal with pregnancy rumors multiple times over the years.

Back in January 2020, a fan asked her if she was expecting a child, and she replied, “No, I am.”

A few months later in May, she told fans that in a swimsuit photo she wasn’t pregnant, saying, “This is me when I’ve got a few extra pounds on and I really love it. I’ve given birth three incredible times and that’s the shape of my body.’

She’s also been a bit tougher on trolls in the past, saying, “I’m a woman with a BODY,” after one social media user wrote, “SHE PREGNANT.”

Candid: The shoot came after Kourtney announced that she has cut short her IVF journey with husband Travis and will put a sex ban on him

Tight shoot: The latest came in an interview given to promote her new line of vitamins and supplements, Lemme, which was accompanied by a sexy nude shoot

Not only is Kardashian not pregnant, but she recently announced that she is no longer going through the IVF process with her husband, Travis Barker.

During an interview with WSJ Magazine, mother-of-three Kourtney said, “We started an IVF journey, but I quit. It was a lot. I took a break to just focus on our wedding and getting married.

Kourtney also said she will place Travis under a sex ban this fall.

She said what she enjoyed most on her wellness journey was an Ayurvedic Panchakarma regimen, which she will be doing again this year.

She said: “You may have seen it on our show. It’s all those things you can’t do: no sex, no caffeine, no alcohol, no sugar. You have to be on this really clean, strict diet for five days.”

“It’s to reboot your body. They do all of this – and it cleans [the toxins from] your tissues. And then you go to this spa and get treated for four hours every day.

“Everything is very ritualized and has a purpose, and it’s fascinating. I did it mainly to cleanse my body [in preparation to] hope you have a baby.’

‘We started an IVF journey… but I quit’: Kourtney opened up about her baby struggles with husband Travis as she posed nude for the campaign

Clean week: She said: “You may have seen it on our show. It’s all those things you can’t do: no sex, no caffeine, no alcohol, no sugar. You have to eat this really clean strict diet for five days.

When asked if she’s having a hard time abstaining, she said, “Yeah, sort of. But the reward on the other hand – if you can’t have something and then you have it, right?

“It’s like I can’t wait for all the obvious things, but then I also like the simplest things, like I can’t wait to drink caffeine. It’s definitely about moderation and being kind to yourself…

“Whenever I go to Cabo, I definitely drink margaritas and eat fries and guacamole. It’s all about balance.”

Queen Elizabeth’s death has put royal family feuds back in the spotlight. Meghan Markle, Harry’s wife, would be left out of an important moment

Even death can’t bring a broken family back together? So it seems: King Charles would have expressed a very specific wish to his son Harry and asked him for it reach Balmoral Castle alone and leave Meghan outside. But what really happened?

September 8, 2022 will be a difficult date to forget. Elizabeth II died at the age of 96 after a 70-year reign, making him the longest-lived ruler in Britain’s history. Her successor was her son Charles III, who became king at the age of 73.

His brothers Andrea and Edoardo and his sister Anna mourn with him; the grandchildren Harry and William (sons of Carlo), Zara and Peter (sons of Anna), Beatrice and Eugenia (daughters of Andrea) and Louise and James (sons of Edoardo); the 12 great-grandchildren, of which George, Charlotte, Louis and Lilibeth Diana, daughter of Harry and Meghan, stand out.

All the people gathered around the family and remembered Elizabeth II with emotion. Every day a stream of people passes through the gates of Westminster: There are those who leave flowers, some poems, some dedications and some implements in memory of the queen.

Carlo has already made his first speech in Parliament and remembers his mother as a woman who gave a lot to her country, irreplaceable and whom he will try to emulate with the support of the people. “I will follow the Queen’s example” he explained. Now he is preparing to visit the various cities of the kingdom to introduce himself as the new regent and to convey his greetings to the people.

Queen Elizabeth: “Meghan Markle must not appear”

The Queen’s death has also raised some doubts: will the family finally overcome the quarrels and be reunited, at least for the occasion? How will Harry and William behave?

Meghan Markle’s absence on the day of Elizabeth’s death caused controversy for many, but the truth is that Kate Middleton was absent too. In fact, Carlo specifically asked both children to come alone, without a spouse because he wanted the moment of parting to remain private. Harry made his way to Balmoral alone, just like his brother, although he couldn’t make it in time.

The truth is that King Charles is open to relationship repairs and recently wished Harry and Meghan a happy life. Tensions in the family seem to have easedand to demonstrate this is also the parade of the four together, without divisions, in front of the people who hurried to deliver their greetings.

Close to hitting the mark 50 career filmsthe director Woody Allen decided to take a break from film projects and devote his creativity to other areas of his life. the filmmaker should retire after the next film and just focus on continuing to write.

The information was shared with Spanish newspaper La Vanguardia while Allen is in Europe to shoot his next film, which is set in Paris. “My first idea it doesn’t make movies anymore and focus on writing these stories, and now I’m thinking more of a novel,” he explained.

This isn’t the first time the filmmaker has revealed he wants to quit. In an interview with Le Journal du Dimanche in early July, Allen said he was considering quitting cinema soon.

Woody Allen He will also no longer focus on writing his memoir after his book was canceled by Hachette, but was instead acquired by another publisher, Arcade. He also had issues with Amazon Studios shelving the film. A rainy day in New Yorkafter allegations of abuse come to light against the director.

Allen’s next and so far last feature film will be recorded entirely in French, and was described by himself as “exciting, dramatic and also very dark”. Woody Allen has preferred to record in European countries as his support in the US has dwindled due to allegations leveled against him by his daughter Dylan Farrow.

Despite revealing his intention to stop making films to the Spanish press, the director attended a press conference marking the start of production on his next film and claimed so “Never thought of retirement”. Now just wait and see what the filmmaker’s true intentions are after the feature.

Daniel Sánchez Arévalo (Madrid, 52 years old) had a pending account with the female universe. The audiovisual world that the filmmaker has drawn in his films, from Azuloscurocasinegro to Sieventeen, past Cousins​​and The Big Spanish Family, is mostly male. That debt will be paid with The Last Row, a tale of friendship and an upbeat, transformative journey to overcoming self-imposed barriers, premiering September 23 on Netflix.

Five women, five friends in their thirties are the protagonists of a story that Sánchez Arévalo had been thinking about for about 10 years, but which he left untapped, he says from the Netflix offices in Madrid. The idea was simmered until three elements came together: first, the need to enter the female universe; second, his partner Sara, who responded enthusiastically when he told her this idea; and third, Verónica Fernández, Director of Fiction at Netflix Spain. “He called me and said they would like to produce a series for me. We met for lunch and I told him about those in the back row and he told me that he wanted to do it right at the start,” the director explains to EL PAÍS.

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In six chapters, the series tells the journey of five childhood friends, a custom that has a different twist this time: one of them has cancer. The conditions they have set for this summer vacation are that the five of them shave their hair, that they do not talk about cancer at any time and that everyone writes on a piece of paper what they would like to do if they knew that they had little time left to live and everything they must do as a collective challenge.

Godeliv Van den Brandt, Mariona Terés, Itsaso Arana, Mónica Miranda and María Rodríguez, in the second episode of “The Last Row,” JULIO VERGNE/NETFLIX

Sánchez Arévalo, who writes and directs the six episodes, was clear that his protagonists should be between 35 and 40 years old. “I wanted women in adulthood and at the point where your life is said to be pretty much on track and any transformation is more complicated. As you get older, the changes become more complicated, but at the same time more interesting.” I also knew that he preferred his actresses not to be known to the general public. María Rodríguez, Itsaso Arana, Mariona Terés, Godeliv Van den Brandt and Mónica Miranda are the protagonists, accompanied by supporting characters with better known names such as Javier Rey, Macarena García, Carmen Machi, Michelle Jenner or Antonio de la Torre, whose participation sometimes becomes mere cameos reduced. “In my obsession with putting together a group of thirty-somethings who you think are school friends, working with actresses who aren’t as well known to the general public makes it easier to get into the story. Although I also looked for the best actresses for the characters I wrote. I always do that, regardless of whether they have a more or less long career,” says the director.

The physical journey of the protagonists will also put them in front of an emotional, transformational journey. “I like to put the characters in a time when the wheel of life has stopped and forces you to look at yourself and ask yourself if you are where you want to be and who you want to be with.” , explains the screenwriter. “I have this picture of the hamster in the wheel. Many times in life we ​​sit in this wheel and we don’t stop thinking. You push forward and there are things that start to get dirty, you swallow them and don’t clean them and they accumulate.”

Mariona Terés, Godeliv Van den Brandt, María Rodríguez, Mónica Miranda and Itsaso Arana, in the fourth episode of The Last Row, JULIO VERGNE/NETFLIX

For this trip, the group chooses Cadiz. The decision is not accidental and responds to several reasons. The series is set in June but filming had to take place outside of the high season between September and November and a location had to be found that recreated the summer feeling at that time. “I visited several areas in the south and Cadiz was love at first sight,” says Sánchez Arévalo. “There’s something about the spirit of these beaches, that freedom that creates a bubble between them that fits very well.” She also asked groups of friends where they were going on vacation, and Cadiz was one of the winning destinations. The team traveled there for three months to shoot at different points between Tarifa and Conil de la Frontera.

But first, the filmmaker had to face his greatest challenge: reflecting on the female world. “With a tennis expression, I felt my arm tight at first, I found it difficult to let go and hit, enjoy. I was a little scared because I really wanted to do it well so women could empathize so it didn’t come across as a man writing about women. To do this, he consciously tried to immerse himself in the female universe. Taking advantage of the fact that incarceration caught him writing the series, he approached his partner with a thousand questions so he could tell him all the details about what he’s talking about or what he’s doing with his friends. In addition, he had the help of an expert gender psychologist who reviewed scripts, characters and situations. And he asked both the actresses and the mostly female technical team to let him know if anything squeaked in the lyrics.

Daniel Sánchez Arévalo, in a corridor of the Netflix offices in Madrid. Claudio Alvarez

This process of working together with the actresses resulted in what Sánchez Arévalo singles out as his favorite scene of the series, a sequence from the third chapter in which the protagonists talk about their bowel movements. “I can say it’s my favorite sequence because I didn’t write it myself. I wanted to talk about it because it seems very taboo in the female universe, guys don’t have that much modesty. But it’s a topic that’s there and they recognized me that they’re all talking about it. For two days we started improvising while I was taking notes, and all the phrases that appear in that sequence were said by them, they wrote them.”

Just as the viewer doesn’t know until the very end which of the friends has cancer, neither did the actresses, who had to wait until the shooting of the final sequence, which had already been shot in Madrid, to reveal their identities. “I wanted to achieve the feeling that everyone experiences it in a very personal way. When you speak to associations that fight cancer and patients and patients’ families, it’s something that you experience very personally, and I wanted to reflect that pineapple that’s generated, that everyone suffers from it and embraces it and it’s all very close is on the surface.”

The protagonists of The last Row, in the fourth chapter of the series.JULIO VERGNE/NETFLIX

Although Daniel Sánchez Arévalo started in the world of screenwriting in the series with Antonio Mercero in Farmacia de Guardia to continue it in titles like Hermanas or Hospital Central, this is his first series as a creator based on his own idea. “There was one project where they asked me if I wanted to do it and I said yes, but I wanted to shoot it by hand in 16:9 and rehearse with the actors. You told me no to all three things. I felt the director was still nothing more than a filmmaker, so I wasn’t interested. After I made Azuloscurocasinegro, I went back to writing screenplays for series due to financial reasons.”

With The Last Row he was able to verify the differences between directing a series and a film. “The most complicated thing is the timing, 16 weeks of shooting, it’s like shooting more than two films. And the writing and the post-production… Also, I got caught as a father, I was shooting with my daughter who had just turned one year old. I remember one day when I had less than a week to shoot and I was at home on the playground, my daughter was sleeping, I was sitting and crying, a somewhat pathetic picture. Sara asks me what’s going on and I tell her I don’t think I’ll make it to the end. I released the tension. I made it, but the toll you have is not so much physical as mental, a lot of pressure.” Do you want to repeat this experience at the top of another series? “No, no, what’s the matter. I’ve got film mono, doing something more controlled, seven weeks of shooting… I’ve got it very clear. Although it was a wonderful, immersive, incredible experience,” he concludes.

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