Yailin “the most viral” returned to the stage after not performing during her pregnancy. This time she took part in the event “Mujeres del movimiento” at the United Palace in New York and although her presence was confirmed without much anticipation, the Dominican was one of the most anticipated artists.
His show has already gone viral due to references to Anuel AA, his ex-partner and father of his daughter Cattleya, for not only performing his new song “Narcisita,” which has clear reggaeton references, but also breaking a banner that said Seeing the phrase “real to death,” was the singer’s catchphrase.
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In the videos circulating on social media, Yailin wears a tight corset that appears to be made of snakeskin and denim shorts. At the beginning of her performance she wore matching boots, but later on she took them off and stood barefoot on the stage.
The moment the bachata “Narcisista” began to sound, some of her fans sent her the banner with photos of her and the phrase: “Real Until Death and You Will Be Nah”, which she uses in her song.
At that moment he took the sign, broke it into pieces and threw it to the public as an expression of how he currently feels about Anuel AA.
This crowd-supported performance was in line with his aforementioned new song, in which he throws multiple darts at his ex-partner.
21 photos The influencer has accepted that she has undergone surgery.“When I needed you, you were never there”, “selfish, lying, narcissistic”, “in my film you are not the protagonist”, “we had a penchant for broadcasting and television” are some of the allusions made by the Dominican power broadcasts in his music Anuel AA.
In the video, even the protagonist wears the glasses and characteristic cut of the performer of “Amanece”. One of the clips also shows the reggaeton player publicizing her split while she was pregnant. “She’s my daughter’s mother, but I’m not with her anymore,” he said at the time.
Other comments circulating on the networks about Yailin’s lecture pointed to the apparent lack of preparation for the event as, instead of interpreting his songs, he often repeated the phrase “how do you say?” so that the audience was the one the sang.