In a resolution in the Diario de Centro América, the ministry argued that they represent an artistic expression offered to loved ones, living and deceased, in addition to representing typical elements of a population.
From the southwestern department of Huehuetenango, one of the most musical in the country, it contributes to strengthening its culture through community participation, according to the text.
On Serenade Day, when the hymns are sung outside and at night, families from this area usually visit Central Park and the outskirts of the General Cemetery.
It is customary to go for a walk and enjoy the music, then a serenade is sung to the deceased; while a variant allows husbands, boyfriends or lovers to gift it to their loved ones.
Local oral traditions say it began in the early 20th century, but written documents refer to the official date: October 31, 1940 by Don Rodrigo García and in the home of Professor Guadalupe Soto.
Few musicians came out then, but by 1942, according to reports in the local press, there was no longer room for the artists who came to rehearse in the plush space.
The Huehuetenango Cultural House maintains the tradition as it began and has a government agreement from more than 20 years ago that dictates how one should behave at serenade evenings.
Guatemala’s rich heritage consists of the most valuable legacies of history, elements (tangible and intangible) that reflect the legacy of past generations.
The list includes the Dolores strike of the University of San Carlos, the Indigenous Brotherhoods and the dramatic portrayal of Rabinal Achí.
The Los Fieros parade, the orality of the Middle Motagua Valley, the chocolate production in Mixco, sack butter and Holy Week enrich the protected national heritage.
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