We talk about featherweight any time, any time. He has a personal touch that almost borders on hyperbole; There’s nothing like having a reporter who specializes in your daily life, like Taylor Swift does. Last night he finally appeared at Foro Sol. Did he fill it out even when the ticket was two to one? Yes. Pure vato belligerence on the track and in the stands is what Rubicon sings and it’s no surprise that Double P starts with this song after the siege it is experiencing.
The nose is not at all easy, her claw is branded and, as a well-known mayor of the capital says, that’s what she works for, giving concerts for 65,000 people. Not to mention his fans, pure facheros (war style) who could easily be confused with the Doble-P dancers on stage, performing choreographies wearing balaclavas and an anonymous identity. Another nod to the culture of a scene where the leader is always protected by his people. And there, in the middle, was Double P, well cared for.
It’s a good thing they’re recording it because this concert is for all the damn tabloids who said we wouldn’t sell out. Here we are, sixty thousand, do you want it like this or damn full?” he shouted. Speechless. The Compa was fed up with it and thanks to the interactive wristbands it was also noticeable in the stands.
The lying corridos are experienced in a very special way: Chelita in the hand, belt bag on the chest and with bandits (friends) at the side. It was cold, but when you’re cold, the colder the cold, the better the experience is at a concert and singing Lagunas, Bipolar and Rosa Pastel with Jaziel Nuñez.
So far, Double P is a difficult affair. At the back of the stage you can easily spot the sluts who follow him everywhere, and it’s not difficult since the gorillas are almost the protagonists of the videos that the Jalisco native uploads, due to their corpulence. They saw each other when a delegation with Nicki Nicole accompanied him to a place in Polanco. Hardly any Morrillo comes closer. They appear at the back of the stage, it’s impossible not to see them, and as the song says, it’s their new life.
He continued with El belicón. Strangely, the race that was present to see it sings the verses alluding to Kalashnikovs (machine guns) and armored cars, a lyric written by Featherweight’s cousin at the request of a character, as if it were a theme of malice. It doesn’t make sense, but it makes sense to her.
The anecdote remains in the voices of the performer, his collaborator Raúl Vega and all the children encouraged by such a direct corrido. The Mexican evening continued, but not before one could hear in the murmurs of the downstairs area as attendees recalled the threats Peso had received in Tijuana.
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Then Alemán appeared to give him verses and rhymes with Delivery and Rucón, a pair of bars that Peso Pluma loves. And since it’s his night, the one from Baja California did the honors because “that bastard is the best rapper in all of Mexico,” said the one from Guadalajara. And he’s not wrong.
Becky G was missing from Chanel, but the fight with Blessd took that thought away from her when she went out with Las Morris. The second part of the show followed with El gavilán, addressed to the family of El Chapo Guzmán, as children followed the rhythm on their parents’ shoulders, without knowing what lies behind these lyrics.
Grupo Firme’s Eduin Caz reappeared with the singer to do the honors with El Rapido, but it was El Azul that caused the biggest sensation. By the end of the print edition, Peso Pluma still had Lady Gaga and the now classic Ella Dances Alone in limbo.
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