Boomerissima the report cards Pretelli wants to play De Martino

Boomerissima, the report cards: Pretelli wants to play De Martino (score 5), Amanda Lear prepares Bowie (score 9)

Pretelli wants to become De Martino (but sleep well): vote 5

From Velino of Striscia la NOTEIA to the omnipresent TV face on Big Brother VIP. They are engaged to the beautiful influencer Giulia Salemi and from time to time host shows together on the topic of love relationships and horns on a distant channel. In 2021 he was given the chance to take part in Domenica In as a “regular guest”. He opened the whole thing by explaining, chez Toffanin, that he “played the role of Botox in this show, I rejuvenated the environment a little.” Ours and Mara Venier then made peace. But certain “bad jokes,” as he explained at the time, were difficult to forget. However, we will not remember Pretelli’s participation in Boomerissima: consumed by the desire to be noticed, he cannibalizes himself. At one point we even find him dressed as Heather Parisi in a colorful romper. He, the Millennials team, is also given the final speech (who knows Jody Cecchetto’s contempt!) to convince the studio audience to vote for his team: a long tirade intended to show that he has taken a few acting lessons, but bad . It would like to be a light monologue, albeit with banal jokes (the hinge of the Esselunga ad still seems very relevant), but the arbitrary emphasis on the young TV talent ruins everything a bit. Showman, presenter, special guest and even a bit of comedian. Is there anything Pretelli can’t do? Yes. And then there is definitely Stefano De Martino.

Amanda Lear is sexy from mythology (and grooms Bowie too!): Vote 9

“Amanda, you know that you can say anything!” This is how presenter Alessia Marcuzzi encourages her. As if Amanda Lear needed it. She takes to the stage with a medley of her hits (she has sold thirty million records worldwide!) and Luca Tommassini’s choreography – always praised – makes her more panther than ever. “Alessia, I’ve been following you since I was a child!” she says to all the presenters she visits, from Alba Parietti on up. And on average it always makes you laugh as an overture. Then the ambiguity (“A talent scout is someone who fucks… who discovers talent”) and the great loves on the CV. Protagonist of the game “You’re a Legend” (and which one is it?), the icon declares: “The younger generation will know me less, even if I’m on Tiktok.” And thanks to the attempt of Millenials and Al Boomers questions to his Answered by his life and career, we learn a juicy anecdote about David Bowie, with whom we had a liaison for two years: “Everything was great, except he forgot to tell me that he was married. They always do that.”, these are things that you later discover on your own. One morning my phone rang. It was the woman I didn’t know existed until then. She asked me, “Can I talk to my husband?” I handed it to him. He was lying naked on my bed, with his guitar in his hand.” A good relationship, though: “Ah, we became very good friends with his wife. She wasn’t jealous, they were an open couple. But he also wore a lot of makeup, even more than me! And the problem is that he didn’t take off his makeup, he fell asleep like that. Every time the pillowcases were a mess, I won’t tell you, Alessia!” . Who else could ever give a portrait like that of the White Duke? It sounds like Vanoni when she talks about Paoli. Mythological.

Jody Cecchetto talks about his first time (to dance rhythm): Rating 5.5

Jody Cecchetto has an obviously very forced and affected enthusiasm and wants to give the impression that television is his natural habitat. But perhaps radio is better considering that as the son of such a father he has to “do” something in the world of entertainment. “What a nice young man Claudio was,” comments Amanda Lear, who had never met him before. “Your father and I started out on TV together, he was very clumsy.” Then he became a famous DJ, I think.” At the beginning of the episode, the brave Jody inspires us with a personal, unpublished anecdote: When he made love, the dance hit “Mr. Saxobeat” by Alexandra Stan (guest in the studio to perform the song again, all wrapped in latex). Marcuzzi reveals the hot altar to the singer while he thinks aloud about the rhythm of intercourse. Boomer Zazzaroni freaks out: “But how is that possible with a song like that?!” Luckily he left the paddles to Ballando, Jody wouldn’t have collected many Tesoretto points…

Tosca unleashed, this time she lied to Pippo Baudo: rating 8.5

“We boomers can teach you to be bored. And that Chekhov is not a “Nu Trapper”! This is how Tosca D’Aquino gave her final speech to win public votes for her team. He talks about the advantages of waiting compared to the “everything and immediate” of the social media era, but also about his calling to the theater. Marcuzzi shows her an old-fashioned film about her first television appearance, in which she becomes the protagonist at Pippo Baudo’s court at a young age. “I went on the show like a normal girl and signed autographs, it was an incredible experience!” In the RVM we see her blatantly lying (which she only reveals today): When Baudo asks her if she is in the family had a precedent that implied artistic, she initially misunderstands him and asks him: “Presidents?” After clarifying the qui pro quo, he invents a mother as an actress and a grandfather as a poet. “None of that was true, Alessia, but it seemed like a nice thing to say,” he admits in Boomerissima’s studio decades after the crime. Tosca is the only one who asks Luca Argentero for a strip, which is broadcast from the dressing rooms of a theater. She intervenes often and never at random: always exciting. With or without “Piripì”.

Ornella Muti, if fame doesn’t matter: vote 5-

The episode begins as Miss Buonaesera connected to the LED wall from above, like the Blessed Virgin in Lourdes Cave. The tones in which it is described by the speaker are in every respect those of a genuine Marian apparition. When the actress appeared among the mortal VIPs for the game “Everyone Sings Sanremo,” the presenter also received tips from her on the Ariston stage a few years ago on how best to master the event. Muti, the newest diva, always seems too distant, she seems like a scientist who examines tiny germs when she looks at those present. Finally he agrees to simulate a sensual dance with the presenter, perhaps a tango. It should be an almost “hot” moment, Marcuzzi will say “I fell in love” at the end. But participation is zero. Like that of the public. Muti eventually leaves the scene as she entered. Without saying goodbye. A bit too much? Yes.

Holy hand of Tommassini, it is truly a duty to always thank him: Rating 8

When he worked as a choreographer on “X Factor,” he became a hit in his own way. In fact, at several points in the episode, Alessandro Cattelan never forgot to thank him, as if it were a contractual clause. And indeed, Luca Tommassini always deserves thanks. During our last appointment with Boomerissima, we saw him turn Cristiano Malgioglio into a kind of Lady Gaga in our house thanks to a raunchy dance group that danced in sparkling purple tones. This time, place Alexandra Stan in a cage (like in the original video of the song “Mr. Saxobeat”, for those who remember) and Amanda Lear in some kind of colorful boudoir. If it’s there, you can see it. And no program appears cheaper, at least in the moments reserved for guest performances. Called to the stage by Marcuzzi, who of course thanks him, talks about Madonna and hints that she may have collaborated with us again for the two Italian legs of the upcoming local branch of Miss Ciccone’s tour. Then he compliments the moderator a little too loudly: “Madonna was neither born to sing nor to act, but was built in the rehearsal room.” Just like you have been doing for a few years, Alessia. In short, Marcuzzi’s answer to the Queen of Pop. And so the banks of pure heresy overflow.

Luca Argentero “Superboomer” (and also a little too jealous): Rating 5+

He connects via the screen of a giant stage smartphone from the dressing room of a theater where he is on tour. Luca Argentero seems to support his wife Cristina Marino, who immediately rushes to embrace the digital image of her salt and pepper husband with kisses. He’s just seen her dancing to Madonna’s tunes (“Hung Up”), barely dressed in a pink 1980s aerobics costume, like the one in the famous video clip. “I’m afraid you forgot part of the stage costume in this ballet, but that’s no problem because you’re on TV and the number can be made up, right?” “Actually, I got myself a Superboomer,” she replies, ” but I gave him ten years of time since we were together.” Even though I’m Sicilian, I’m not as jealous as he is, but I can’t stand rude people. Fortunately, this is never the case for my husband. The sucrose overdose is underway and shows no signs of abating, so the usual, wonderful Tosca immediately arrives with the intervention of a battering ram: “Luca, don’t you want to give us a strip?” So that you and your wife can get revenge! The actor appears, but the line is cut off. Sin?