After the great success in Great Britain, cThe World Wild Tour has also landed in the sold-out Royal Albert Hall in London in Italy with 14 concerts at the Arena from April 25th to May 11th. WE’VE SEEN THE DEBUT, THE REVIEW
Iconic, the kind you don’t want to see vibrate because everything is a vibration. sugar toVerona Arena He is no longer at home, but he is the master of the house. Under a sky that threatens to shed rain tears but, almost hypnotized, holds back ghost in the dark. Then they chase each other soul mom and the rushing seathe rhythm is high, an imposing soul that then melts in the caress of a song that is the mirror of what we live: This was not the world I dreamed of as a child, he sings That would be the world, and the applause is approval. The piano at the beginning and end is a scream that continues into the song that goes away. sugar He is in the middle of the stage, above him a sun or a burning mirror, they frame and magnify him for whoever does the chorus on the steps. Supports two other side mirrors, smaller but protected by a hat similar to the one she wears. Those who come in the coming evenings will have the privilege of listening Partisan Reggiano but I assure you that if you have listened to the evening of April 25, the free song that evokes it is even more powerful. His “Cheers to April 25” comes across today with an almost unknown sincerity. to accompany him in the Wild world tour an international super band consisting of Polo Jones (musical direction, bass), Kat Dyson (guitars, bvs), Peter Vette (Hammond, piano) Mario Schiliro (guitars), Adriano Molinari (Drums), Nikola Peruch (keyboards), Monica Mz Carter (drums, percussion) James Thompson (horns, bvs), Lazaro Amauri Oviedo Dilout (horns) and granny jali (backing vocals).
Zucchero “duets” virtually with Fabrizio De André in I Saw Nina Volare
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Zucchero dedicates “Someone Else’s Tears” to Ukraine, which he co-wrote with Bono
The Scream makes the arena vibrate 13 good reasons but then we return to a supernatural ease with we give up. Now it’s really night, the mobile phone displays bring the first (artificial) milky way of the season into the arena. The fade accompanies penis and search for the lost heart down there in search of peace. The long final coda with the piano in relief has the appeal of Prog 2.0. The audience is composed, the masks remain mostly glued to the face. The desire to celebrate is balanced with respect for yourself and others. Easy misses sugar Grandma Jali that when he turns on the voice, only the distant Alps can hold back. It’s really true with a singer, so everything is easier than a palm off your nose. When the first notes of I see black the sober serenity of the arena gives way to the twitching calves of the stalls; because oddly enough, the grandstands remain seated with a few exceptions. But if sugar he asks his people to keep time, supported by a percussion wall, the adrenaline shoots up the steps. And he pauses to move sinuously with a gypsy Baila Morena. I look up at the sky, it’s not a full moon but it seems like there was one. The journey begins at the bottom of your eyes as you watch the blues on the dancereccio echo emanating: dune moss turns on the cell phones, dozens of polar stars that lead us to tears or to the middle of the sun and make us scream… love.
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Arena di Verona 2022 starts again with Zucchero and the Måneskin
Without regrets He’s got the incipit speaking, but since he’s not an ER, he can afford any voice acting. Even a tribalism of Africa. Morriconiano the attack of A warm breeze, from dreams that sometimes break in the morning, but when it does, just close your eyes and the season will ring out. Anticipating an unleashed rumba, a scream of anger and pain rises, that’s it The Scream by Zucchero, with his eyes fixed on the sky full of tears, interrupted by a cry from the heart. The salvation of soul and body comes from the healthy and the unconscious desirewith an arena lit up by the powerful spotlights positioned above the stage, shoot at the end and pour in The scientist which Zucchero leaves sitting in front of his audience: he calls it the corner of the small theater, thanks people for waiting for him these two years and thinks it’s incredible to find them all here. Next The scientist plays (semi) acoustically I saw Nina Fly out of Fabrizio de Andre, creating a virtual duet with Faber appearing at the bottom. Both are part of the latest album Discover And every night they’ll change The grand finale, before the encores, is of course included misery and on stage the other dream duet could not be missing, that with Big Luciano. What a thrill to see Luciano Pavarotti in black and white. You really have the feeling of living in the soul of the world. Who knows what it’s like today to watch the world from the sky.
A two-part long break in which sugar rifiata before the last rush. The super band, one of the best in Europe at the moment, Sugar said, also entertains the arena To stay alive and Honky tonk train blues, epic Odeon theme song originally performed by Keith Emerson. It starts with love now and pictures of sugar playing it on the piano in a deserted St. Mark’s Square, a voice of hope at the time of Covid. The stage is repopulated diamond and The flightMoments of poetry and romance that lead to a wild ending composed of Because and devil in me. All obviously stand for the final tribute, however sugar He’s not finished yet, he still has two surprises in store: cutest momaccompanied by images of war and human ugliness, e.g you chose me and if it happens to you, do everything differently. He’s right Adelmo, the blues will save the world.