Under the lively ballads of Îles-de-la-Madeleine, the acrobats of Cirque Éloize appeared even more agile, precise and majestic on Wednesday evening at the Théâtre Capitole in Quebec.
Cédric Landry with his Madelinot accent and the three musicians covering the choreographies of the Cirque Éloize artists with their pure Acadian melodies ensured that this performance was as pleasant to listen to as it was impressive to see.
The Madelinot storyteller Cédric Landry. Marcel Tremblay / QMI Agency
Whether they’re hanging upside down from a fabric rope, riding a unicycle with their hands and feet in the air, or merging with the movements of a giant hula hoop; The circus performers were simply great in their respective performances.
The choreographies perfectly represented the narrative of the story being told in an abstract way. The moment that best supports this claim was undoubtedly when the Chinese pole professionals climbed the pole and dropped it over the misadventures of the priest and his timber.
Marcel Tremblay / QMI Agency
And what about the feat of Delaney Bayles, who juggled at least five cones at once – it was difficult to count them – and sent them flying between his legs and behind his back, all the while maintaining a beaming smile?
On their instruments, Henri Paul Bénard, Félix Leblanc and Simon-Charles Cyr paid tribute to the Îles-de-la-Madeleine in the most beautiful way. Using violin, guitar and harmonica, the Madelinots trio put on an outstanding show, demonstrating the celebratory side of Acadian music while highlighting the tragic and romantic side we associate with its Celtic origins.
The only downside to this show; it was too short. This hour and a half, narrated by Cédric Landry, during which we learned several Magdalen stories and legends, could have easily held the Capitol’s attention for another hour.
Entre Ciel et Mer is presented at the Capitole de Québec until October 7th, with closing performances at 3:00 p.m. and 8:00 p.m.