The singer-songwriter took part in Fedez (“You’re too depressed”) and Dargen (“Bent on Show Business”), silenced Michielin on the Graziani issue and burst Ambra due to the constant interruptions. And he spoke of conspiracies against him
from Rolling Stone
Photo: Virginia Bettoja/Sky
It was a steamy episode that aired on The X Factor last night. The star of the evening, as you can imagine, was Morgan, who appeared ready to attack all of his colleagues from the start.
The first on the list was Dargen D’amico, who brought back into fashion an old diatribe about Bellissima di Annalisa (who was a guest of the evening but made herself happy by interacting with the ex-Bluvertigo) and accused Morgan of going behind his back to talk. “I want our relationship to be genuine out there and here, not for you to say one thing about me in the locker room and say another thing here and tell me I’ve given in to show business.” The prompt answer: “I don’t know , what you’re raving about, because I have to say that you say things that people don’t know, you probably relate to what I said to you, so to you.” “I sold out to the music business, which honestly “That’s what I think, so I’m telling you here on camera, just like I told you before outside, and it’s a discussion between you and me.”
The exchange between the two continued even when the microphones were turned off during the performance of one of the participants, Maria Tomba. When it was the turn to comment on his performance, Fedez – the judge of La Tomba – caught his two colleagues and accused them of not following the young singer’s performance.
Throughout the first part of the episode, Morgan and Dargen continued to dominate the microphone during performance commentary and were scolded several times by Ambra, the most polite but visually annoyed person, and Fedez: “Guys, I don’t know if they Having taught you the format, Dargen has been doing it for two years, you take turns and then you answer. If you want to have a debate between the two of you, I’ll let you do that…First you didn’t listen to the piece, now just focus on that if you want to get us talking too.” Ambra herself led during one He had a heated discussion with Morgan during a long backstage session and commented: “This is all ridiculous.”
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The Amber Morgan discussion continues during the stunt pilots’ performance 🧐#XF2023 pic.twitter.com/4CF65pZGcS
— Estée 🌇 (@esisteunposto) November 17, 2023
In a climate that was anything but relaxed (Ambra herself will speak about the childish behavior of the jury), Morgan broke out against the production at the last performance, that of Il Solito Dandy. At the beginning of the evening he had accused the production of not allowing him to choose the songs for his boys during the “carousel” (a super-fast elimination round), but this time Morgan speaks of the “injustice” of the treatment in the production. For the performance of the Solito Dandy, some cartoons of the same singer with a bodybuilder’s physique were actually prepared to play with “Ci takes a bestial body”, the song by Luca Carboni that Dargen had chosen for his competitor. “Why do they give you these things when you ask for them, and when I do I’m told no?” Morgan blurted out, “He has to get to the end. The usual dandy can’t go out, it’s impossible because they use all the tricks in the world to force him to stay inside. “I don’t dispute it, but the unfairness of the performances.”
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Morgan, you really disgust me.
I don’t know how to add anything else#XF2023 pic.twitter.com/0r2Ioxc5hb— viky is no longer alone (@naliaddicted) November 17, 2023
Hence the uproar. Morgan launched into a long tirade about the issue, continuing to interrupt the other judges, particularly Ambra, who had now unfortunately resigned. So Francesca Michielin tried to come to his aid, but the singer-songwriter silenced her with a sentence that instantly became a coincidence: “Okay, okay… Ivan Graziani is waiting for you over there,” alluding to the faux pas of The previous week, Michielin had revealed during an interview with guests Dimartino and Colapesce that he did not know that Ivan Graziani was dead. Ironically, a week after the viral faux pas, Ambra chose Ivan Graziani’s song “The Guitarist” for her competitor Matteo Alieno. “Ten years of X Factor and now they’re choosing one of his songs,” Michielin commented, then made a sort of mea culta. After Morgan’s verdict, Michielin remained petrified, choosing not to respond to the provocation and accepting Fedez’s solidarity during the commercial break that followed.
However, in a sort of adrenaline rush from the controversy, Morgan wanted to end the evening by also attacking Fedez: “Fedez, are you acting as a psychologist for me?” “I couldn’t do that,” replies the rapper, to which Castoldi responds to the general consternation: ” You’re too depressed to be a psychologist.” Fortunately for everyone, however, Fedez took a step back and avoided a clash that had become unnecessary and humanly despicable.
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“Are you too depressed to be my psychologist?” The problem is@SkyItaliawho he called Morgan. Despite it. But do we need to hear such things again? And that’s just the tip of the iceberg. What does Morgan bring to the program? It’s not trashy. It’s just a bad show. pic.twitter.com/OcgPsO1LM6
– ADTOOMUCH💌 (@adtoomuch) November 17, 2023
Social media didn’t forgive Morgan’s baseless attack on Fedez’s stated pathology, and so the singer-songwriter attempted to explain himself with a late-night video posted to his social media. Morgan spoke of sarcasm and explained: “I did it ironically, I have a long history of personal and family depression, I didn’t mean to hit the patient.” Then the monologue became so very personal that Morgan talked about his father’s suicide due to depression Crisis spoke. “I am the first to experience depression and I know that it is a suffering condition. It is a condition of every artist or creative person. Our society is depressed and produces depressed men and women.” He quoted the French philosopher Michel Foucault and added: “The disease of modern society is depression.” And finally he concluded: “You must not exploit me. “
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