The seventh episode of Sunday Inaired on Rai 1 Sunday October 29thoffers strong emotions during Mara Venier’s interviews with the three protagonists of the new edition of Dancing with the stars: Paola Perego, Simona Ventura and Carlotta Mantovan, widow of the late conductor Fabrizio Frizzi. The commentators are also in the studio Selvaggia Lucarelli and Guillermo Mariottoready to comment together on what happened during the live broadcast on Saturday, October 28th Minnie Minoprio And Alberto Matano, which, like last week, intervenes via a connection. The guests on the talk show also include Lino Banfi, a competitor on Ballando who talks about his career and personal life. It still is Paola Cortellesi presents his first directorial film, There’s Still Tomorrow, screening at the Rome Film Festival; Massimo Lopez and Tullio Solenghi they talk about the next theater performance we left off at; And Ferzan Ozpetek brings words to the studio about the film that was presented at the Rome Film Festival New Olympusaccompanied by some actors from the main cast.
The recap of the Domenica In episode from October 29th
The seventh episode of Domenica In begins with the cast of Dancing with the starsin particular Paola Perego, Simona Ventura and Carlotta Mantovansupported in the studio by the commentators Selvaggia Lucarelli and Guillermo Mariotto e out of Minnie Minoprio. There is no shortage of laughter right from the start: the presenter admits that she went to bed late to watch the show and Carlotta Mantovan states that she fell asleep at 6 a.m. Mara asks her: “But sorry, what did you do until 6, dear aunt? Because in my day, when you went to bed at 6… Uh…” She laughs along with the whole studio and says: “But why did I call the friends and read the comments? They were smart.” There is skepticism in the studio. Then, on the evening of October 28, Selvaggia gives his opinion: “It was an episode he saw.” Protagonist Teo Mammucari. There are a lot of shy people in this issue, a lot of people we need to extort a bit of truth from, and then there’s that exuberance from Teo who risks stealing the show. This is not good.” We are talking about Mammucari’s controversy due to the 0 given to him by Lucarelli and the famous dinner between the two: “He claimed that we saw each other alone for dinner one evening, but this is all false: I go to the cabaret to see him because I went to the theater school, the same one where he was trained. He sees me and tells me.” : “Let’s go out with other stand-up comedians” and then takes me to the Chicken thief. I sit between him and another stand-up comedian and get engaged to the other one. So we never saw each other again, but Teo left out the ending because it suited him. I was engaged to Max for many years. I gave him 0 because I think he’s not a competitor and that’s not good because it punishes him. He must listen to what we have to say for at least 20 seconds.” Via link, Matano says that he agrees with Selvaggia on Mammucari’s behavior, but not on the low rating, which he considers excessive.
Mariotto He admits it when he loves a dancer in this case Paola Perego, he wants to destroy them and then resurrect them again. The man claims that the woman dances with the handbrake on and would like to see her let herself onto the stage, but she states: “If I let myself go a little more, they’ll have to do the hot version of Dancing” Minoprio comments: “In my opinion, you dance a little more with Angelo Madonia…” she says, referring to the dancer’s beauty, and then adds: “You are always looking for these things, but dancing is not just desire.” .. It is expression, feeling, interpretation!” Mariotto answers: “It depends on the dance: the rumba was born as a desire for fertility!” We move on Carlotta Mantovanand Selvaggia explains: “I see potential in her. I think she has a lot to give and is a bit blocked.” I think he needs to find his freedom.” Mara intervenes: “I think that when you all stop reminding her of everything she was, she will let herself go.” Mantovan speaks up: “Last time I really appreciated you judging my performance and you didn’t.” Enter my privacy. I want to have fun, so let me have it. I will come to the opening with my topics because I am a private person, but no one who doesn’t get emotional.” At some point Mariotto announces this Edvige Fenech It will be there Dancer for one night next week, but the host points out that he always speaks at the wrong time: “You get in if you don’t do anything right with what you say.”
We are talking about Simona Ventura and of the fact that love for Giovanni Terzi changed her; A transformation that Mara Venier also noted: “I really like it when you talk about your life and Giovanni. When you say you’ve changed, it’s true. Love has changed you, Giovanni has changed you, you are a different person“. The two hadn’t spoken to each other in years, but now everything seems to be over, so much so that they both stand up and… they hug each other: Due to the intensity of the moment, the brief scene quickly goes viral on social media. Immediately afterwards, the presenter calls the author, who enters the studio before Lucarelli’s opinion: “Terzi is in danger of being overshadowed by Simona Ventura’s ponderous personality.” We discover that Giovanni only talks about Dancing with the Stars at home. No dance rehearsal, but so many words! The two had met for the first time in 2011, at Mara’s house in Milan on the occasion of her husband Nicola’s birthday, but both were still busy with other people and had therefore only exchanged a few words.
Finally, Venier criticizes the words of Guillermo Mariotto on Wanda Narapronounced after the performance and offensive of Paola Perego: “There is the Argentine who has one.” disproportionate B-side and a footballer’s legs And all the technicians drool over them, but you, so sensual, you have to be 30 times like her!“In the studio, the presenter defends the competitor: “These words are not nice to a woman, and you didn’t have nice words for Wanda.” You’re joking, but in this case I didn’t like you,” then he turns to the im Women present in the living room: “But you, who talk so much about defending women, is what he said right?” That hasn’t happened yet.” Perego intervenes: “He made that joke when I stood before the jury, and in reality it was too much.” You could have said the same thing in other words.” Mariotto replies: “But it is the truth!” and Paola adds: “It’s as if I told you said: ‘You have a stomach!'” That’s not said.” Mara Venier is so angry that she almost seems to force the judge to apologize to Wanda Nara. Then she explains: “Sometimes imperfection is much more sensual than perfection.”
Paola Cortellesi presents “There is Another Tomorrow”.
It’s your turn Paola Cortellesi which he presents There is still tomorrowa film defined as “important” by the presenter of Domenica In che Saturday, October 28th he won well three awardsincluding the audience award and the special jury award Rome Film Festival. “The intention was to tell the story of those women who are not mentioned in history and who may have never even been mentioned by their family members because they were used to having to do everything without ever being thanked, and sometimes discrimination and suffering harassment – that’s what we’re talking about in the film – about a society enslaved to patriarchy, with tough men who had no respect for these women. It’s our grandmothers and great-grandmothers who worked a thousand jobs and did incredible things and thought they were nothing because that’s what they were taught. The film is a tribute to all of these women. The film mixes drama and irony and actually aims to make its audience laugh, but it is the role of Valerio Mastandrea, a character defined as “vile” and “stupid idiot,” which astonishes the host. Cortellesi speaks about the character entrusted to him, an idiot master father, claims: “That was exactly the intention during the writing phase. We wanted to paint him as a monster, but we liked the idea of portraying him as an idiot to drive him out…” According to Mara, it is a film that men in particular should see. The director agrees: “Yes, because some of the men portrayed in this film are terrible, but there are also wonderful male characters.”
A message comes Laura Pausiniher great friend, with whom Paola admits that she gets along immediately and has a lot in common: “Dear Paola, you made a film that made me proud because I love you, but even if I didn’t know you, what I I tried, given all the images and the message you left, I think that this film remains in the history of Italian cinema. I invite all people to watch it because that’s what it isconveys a message so important that you feel like your heart is leaving your body. I left crying and devastated, because what you are saying is absolutely important today more than ever, and you did it with a passion, a love, a dedication that is rare today.” The moderator then shows the first interview Paola Cortellesi on Domenica In in 2003 and says with shining eyes: “Everything you wanted has arrived.” TAnd you really deserve it! Caz*arola, can you say that? I’ve said it now. Because you were so real and simple.” The guest reacts with the same tenderness as Mara: “You’ve supported me since 2003… Hey, don’t be like that, okay? You started it!” he explains as he sees her moved and alternately becoming emotional. The two laugh and immediately the actress gets up from the chair to give them a big hug.
But what was the reaction? Riccardo Milani, her husband, after watching Is There Still Tomorrow? “He didn’t want to know or see anything beforehand. He was touched and said to me: ‘You did a great thing‘”, reveals Paola briefly and adds: “I hope that people continue to go to the cinema and that they all enjoy the moments that concern them together.” Because in my opinion every viewer has distant memories or told stories that are related to this story have to do. It is not only a story of the past, but also a contemporary one: Possession that is not love. Unfortunately The news tells us terrible facts and they are part of a culture that we should have overcome for a long time, but unfortunately still rooted. That’s why it’s good that boys and girls can see it too.”
Lino Bandi on Dancing with the Stars
It’s time to Lino Banfiready to talk about each other Dancing with the stars, career and personal life, also mentioning the role of Nonno Libero in the famous Rai drama Un medico di famiglia. “I have fun dancing. Milly Carlucci has been courting me for 18 years. Lucia once told me to make Carlucci happy, especially because she would come all the way home to court me, so in the end I agreed to try a little and a little to everyone , which describe people of a certain age as fragile, to show that this is actually the case we are very strongThe presenter concentrates on the first episode of the casting show when Lino Banfi experiences a moment of discouragement during his first appearance: “I promised Rosanna and Walter not to do it, but I couldn’t do it.” I didn’t expect to make all of Italy cry. Last Sunday in a church in Rome the celebrant apparently said that he should take my example because: “Have you seen what he does when you are his age?” “They told me that those present in the church had all stood up “, reveals the guest. The actor mentions his friendship with the Pope and the call from Roma coach José Mourinho, but does not elaborate on either topic.
After discussing the great friendship between Lino Banfi and Renzo Arbore, Venier focuses on A doctor in the familythe fiction in which the actor played Libero Martini, who over time became the grandfather of all Italy: “It wouldn’t be bad to put him on the screen.” three farewell episodes of A Doctor in the Family. Everyone asks that, is that true?” The studio audience loudly confirms this and applauds Banfi.