The “Face to Face” with Ciriaco De Mita, Eugenio Scalfari, Paulo Roberto Falcão and Enzo Biagi and the investigations of Paolo Guzzanti and Cinzia TH Torrini into drug trafficking in Naples. Moments that Giovanni Minoli wrote in his “Mixer. Twenty Years of Television’, airing Thursday 2nd March late evening on Rai 3 and Wednesday 8th March prime time on Rai Storia.
The retrospective journey in his current magazine begins with the 1984 “face to face” with Ciriaco De Mita, in which the DC secretary talks between public and private about himself, reflects on the Christian Democrats and the recent election defeat and the relationship with his Father, to Craxi and Berlinguer, alongside a long-distance seraphic question and answer with Avvocato Agnelli. His interview is interspersed with that of La Repubblica founder Eugenio Scalfari, who reflects on the political panorama of the time and on his own support for De Mita Moving on to the sport with Brazilian football champion Paulo Roberto Falcão, then nicknamed “the eighth King of Rome” and interviewed by Minoli in 1983 while the Giallorossi were on their way to their second championship, finally in 1985, Enzo Biagi examines the issue of his professional independence and the role of journalism, giving his verdict on the Craxi government and the importance of love in his life, to The Operation suffered deeply from regrets about his personal and professional past.
For the space dedicated to the company, two great names are added to the “Mixer” drummer: Paolo Guzzanti and Cinzia TH Torrini, protagonists of 1984 of a shocking investigation in the back streets of Naples to understand the reality of drug trafficking and even to investigate Young and very young people struggling to make ends meet are reduced to robberies and drug dealing.
Finally, the mixer troupe for the cinema side met Roberto Benigni and Massimo Troisi in 1985 at the Tuscan actor’s house. In an interview, the two comedians comment on the creation and structure of the film “We Don’t Stay but Weep”, ironically discussing similarities and differences, the state of Italian cinema and the relationship to women.
