José de Abreu has denounced Cassia Kis in court for LGBT phobia. As the father of a trans woman, he accused the artist of prejudice by suggesting that homoaffective couples would end humanity. The artist also said that the colleague suffered from mental disorders the veteran was diagnosed with bipolarity in 2005. “She has a disability, but she has come off the medication,” he said.
Colonel Tertúlio’s interpreter in Mar do Sertão denounced Cassia’s stance on taking part in coup actions in Rio de Janeiro and supporting a military intervention. Abreu blocked the actress a few years ago, when Jair Bolsonaro (PL) was already president, and she was spreading fake news on WhatsApp.
“I felt like she was starting to provoke, sending aggressive messages, something that went beyond Bolsonarism. I blocked it and found out from friends that it was impossible to talk to her. What she did is very serious. She seems to have an irritation that’s kind of psychic to me, like the way she’s thinking is the right one,” she said in an interview with YouTube’s MyNews this Friday (18).
The actor commented on Cassia’s old interviews when she assumed she had been diagnosed with bipolar disorder. Speaking to Ana Maria Braga about Mais Você in 2009, she said that she took very strong drugs to control her personality. Cidália de Travessia stopped taking medication in 2016, revealing that the medical analysis was wrong.
“This certainty of theirs reveals a certain psychological deficiency, people are made of doubts. She had an Indian guru, she was a Buddhist, a spiritualist. She has a disability and the therapist gave her medication, but she stopped taking her medication. Cassia’s situation, she was never a simple person. We were never friends, but I was at her house,” the actor shared.
“The cinema, theater and television environment is very diverse. She was the first woman to uncover her breasts in a breast cancer prevention study. She’s had abortions alongside brave women, and she’s a spectacular actress. I did it. we were a couple with her Porto dos Milagres (2001) and then in O Rebu (2014) and Os Dias Eram Assim (2017). There was always artistic respect,” he concluded.
Watch the full interview below: