Lily Allen and her husband David Harbor disembark after their

Lily Allen and her husband David Harbor disembark after their last performance in the West End

Lily Allen had plenty to smile about as she was joined by husband David Harbor after performing in the West End on Thursday night.

The 38-year-old singer appeared in high spirits as she stopped by outside the Duke Of York Theater with fans to sign some autographs.

She was joined by her famous husband and Hollywood star David Harbour, who wore an all-black ensemble.

Lily – who stars in the new West End production of ‘The Pillowman’ – sported a typically casual look after her grueling performance.

The Smile singer opted for oversized black pants and a gray long-sleeved blouse shirt.

Looking radiant: Lily Allen had plenty to smile about as she was joined by husband David Harbor after their performance in the West End on Thursday night

Looking radiant: Lily Allen had plenty to smile about as she was joined by husband David Harbor after their performance in the West End on Thursday night

Appearance: She was joined by her famous husband and 'Stranger Things' star David Harbour, who wore an all-black ensemble

Appearance: She was joined by her famous husband and ‘Stranger Things’ star David Harbour, who wore an all-black ensemble

The hitmaker kept it cozy in open-toed camel sandals and carried essentials in a black large tote bag.

The actress wore her platinum locks in a low bun and wore a brown beanie by ELLE.

David, 48, looked demure in his black shirt, jacket and matching trousers.

He paired the look with sneakers, also black, and hid behind a black beanie.

The Stranger Things star was photographed smiling as she exited the building while Lily stopped to chat with some fans.

Lily and the Hollywood star began dating in 2019 and married in Las Vegas in September 2020.

David has become stepfather to Lily’s daughters Ethel, 11, and Marnie, 10, whom she shares with ex-husband Sam Cooper.

He portrays father figure Jim Hopper on Stranger Things and has previously said the role helped him prepare to become stepdads to Lily’s daughters.

Comfortable: The The Smile singer, 38, opted for oversized black trousers and a gray long-sleeved blouse shirt

Comfortable: The The Smile singer, 38, opted for oversized black trousers and a gray long-sleeved blouse shirt

Low key: David, 48, looked low key in his black shirt, jacket and matching trousers

Low key: David, 48, looked low key in his black shirt, jacket and matching trousers

The family enjoyed a holiday together in St. Barts in December.

In July last year, David opened up about his marriage to Lily, and gushed about his wife admitting to People: “I’m so thankful that I’m not alone anymore and that I have someone to tell everything to and who does it can.” Tell me everything.

“We can share this experience of going through life together.”

He added, “I’m always so grateful for that because I’ve been alone most of my life.”

The Not Fair hitmaker looked radiant after reprising Martin McDonagh’s play ‘The Pillowman’ and received tepid reviews after last week’s press night.

The singer has taken on the gender-reversed role of Katurian in the play and accompanies the novelist in her imprisonment in a totalitarian state.

However, although she ditched her typically stylish looks in favor of a bloodier and more bruised look, there have been mixed reactions to the revival.

One wrote that they felt “slightly bored” watching the show, while others called their talents too “limited” for the complex character.

Lily wore a bloody face as she took a bow at the end of her press night debut, having starred in the play alongside Steve Pemberton and Paul Kaye, taking over the role previously played by David Tennant in the 2003 original.

Claire Allfree gave the show three stars in The Telegraph, writing: “[The] The staging lacks psychological conviction and a certain atmospheric poignancy, while Allen is completely at sea amid the play’s daring tone changes.

“I went expecting to be devastated and sick. Instead, I often felt slightly bored.’

The Times gave the play two stars, and Clive Davis wrote, “Is Allen up to the task?” It is true that she did not disgrace herself in the hugely popular supernatural thriller 2:22: A Ghost Story.

“But here its limitations are more clearly recognizable. There is little variety in her voice and gestures; sometimes she almost seems to be a spectator of her own ordeal.

“It’s Steve Pemberton and Paul Kaye – as the sadistic Tupolski and Ariel, respectively – that catch your eye.”

However, Nick Curtis of the Evening Standard gave the play four stars, writing: “Allen, who made an impressive stage acting debut in Dunster’s ongoing 2:22 A Ghost Story, is compelling to watch: drawn, intense, edgy.”

“But this show requires a juggling of emotional states that she can’t quite muster.”

Meanwhile, The Stage gave the show three stars, and Sam Marlow wrote, “There’s a pale emptiness about Allen that may be intentional but makes her difficult to connect with.”

“McDonagh looks at rather than questions the myth of the tortured artist and the idea of ​​creative immortality. Yet by mischievously refusing to commit himself to a position, he repeatedly undermines his own arguments, with the result that the piece feels thin and nebulous.’

Writing for Theater Mania, Alex Wood: ‘As with her West End debut 2:22 A Ghost Story (also directed by Dunster), Allen does well on stage – genuine, eloquent and never overly mad in a role that it could easily.” fell into the wrong hands.

“She certainly has better material to work with here than her freshman stage performance, insofar as you can follow a very clear character arc as Katurian transitions from confusion to assured catharsis.”

After the press night show, Lily appeared to be in a merry mood as she performed on stage at the Duke of York Theater alongside her co-star Steve Pemberton.

Lily bowed to the crowd and showed her character’s injuries while blood ran down her face and stained her sweater, foreshadowing the tragic end of the production.

Lily seemed pleased with the premiere of “The Pillowman” on press night as she flashed a big smile, waving to the crowd and bowing in the process.

She was joined onstage for the curtain call by her co-stars Steve, who plays Tupolski, and Matthew Tennyson, who plays Michal.

Lily is the first woman to play Katurian after David Tennant played the lead character in Olivier’s award-winning original play.

Of the decision to cast a woman in the role, Lily told The Telegraph, “I think that’s going to add to the horror because we’re not used to seeing women get beat up.”

“In that sense, it’s going to be shocking.” I also feel that men don’t necessarily get the same credit for their artistic achievement as women do.”

Happy couple: Lily and the Hollywood star have been together since 2019 and married in Las Vegas in September 2020 as David became stepdad to Lily's daughters Ethel, 11, and Marnie, 10, whom she shares with ex-husband Sam Cooper

Happy couple: Lily and the Hollywood star have been together since 2019 and married in Las Vegas in September 2020 as David became stepdad to Lily’s daughters Ethel, 11, and Marnie, 10, whom she shares with ex-husband Sam Cooper

Didn't you like it?  Lily's debut in the revival of Martin McDonagh's play The Pillowman received muted reviews from critics after its premiere at the Duke Of York Theater

Didn’t you like it? Lily’s debut in the revival of Martin McDonagh’s play The Pillowman received muted reviews from critics after its premiere at the Duke Of York Theater

Lily said,

Lily said, “I think it’s going to add an extra layer of horror because we’re not used to seeing women get spanked” (pictured last week after her performance debut)

The Pillowman follows Katurian as she is brutally questioned by authorities after a string of murders bears similarities to her short stories.

The black comedy “examines the role of the artist in society and asks what price we pay for freedom of expression,” according to a synopsis on the play’s website.

Speaking about The Pillowman’s discussions about censorship, Lily said the play raises many questions about free speech and the internet.

The production runs through September 2 at the Duke of York Theater with the much-anticipated opening night on Friday already sold out.