I’ve been stopping at this scene since 3:10 p.m. I tell you. Planted up there like old men in front of construction sites, like drivers when they encounter an accident. You already know it’s not the best of the show, but it’s stronger than you, you just can’t resist it.
The curtain in between Pinuccia Della Giovanna, Alessandro Rausa and Rosalie it was a mix of unexpected devasto, wholesome trash, and sheer fright.
The Queen of Vigevano escaping after another backstage dance Alexander someone else prefers them (in this particular case Ida Platanowhich is so bad it even teases the Pinuccia she warned while dancing along Rausa “I told him that I will visit him and spend a day with him!”. And nothing, the little girl with the matches just gnafa not to interfere at any moment that does not concern her to regain another shot. Worthy heir of Gemma Galganistarved for the same red light …), then the return to the studio with the charge against the rival who “passed in front of me and ran to hug him, I hit my heart!”, then Rosalie who replies that “he is for everyone!” and immediately afterwards – just to make sure the bang in her heart was real – she adds, “I kissed him with him, you know?”.
And as the perfect villain he is, Rosalie he also insisted on provoking Pinuccia told her “but Alexander it’s yours? What did you buy?” And in return she came out with a very embarrassing (for her who believes it too, I say) “I didn’t buy it, but I conquered it!”. Behold, lallero!
Then the drama came to life: Rosalie concluded with this gentleman he heard so Antonio, who gleefully exclaims, “Honey, we’re free. Hi!”, Alexander He escaped backstage hoping to escape, but things went poorly and the two rival stalkers followed him and ended up arguing backstage that I miss the classic throne of the golden ages. There was Pinuccia that “for me, when you hugged her, you never hugged me! Well, you decide which of the two you want! Who are you going to have dinner with tonight?”. There was Rosalie that “I came for you, she’s the one who ruined everything!”. And then there was Alexander who threatened to take away their friendship to appease them.
All so deliciously surreal, all so damn irresistible. Three 80-somethings who literally stopped – with tons of embarrassment, but they kept it up – a whole string of men and women. And it doesn’t matter if no one is saved between the three at the end of the Mass.
Because he certainly won’t save himself Alexanderthat so good and dear but broke three quarters of a minch* for always leaving this little crack Pinuccia. I want to say as soon as you understand that she did not resign herself to a simple friendship because “my heart does not say enough!” Shut up once and for all and put an end to this torment, santodddio!
It will not be saved Rosalie That’s a half-enough falsona, so evil that she pretends to be sympathetic to this other one, but in reality she’d walk over it with the deckchair Mastrota if only he could.
And apparently he’s not saving himself Pinuccia, who, troubled by his delirium of Vigevanese omnipotence, does not even recognize the Barbinian numbers he has been ringing for a year. But someone who loves her and rips up her ticket to Rome, right? But thinking about it, if they hadn’t stopped her from attending when she needed to get the vaccine, let alone now…
hp But nice chicken coops between women, huh, I love it when extensions fly. But we must stop abdicating responsibility every time there are human artichokes. Because he is not alone the Pinuccia who is angry about it Rosalie instead of with the Alexander that “you were very polite, she made me feel bad”, but also Carola Carpanelli who is angry about it Alice if it Federico Nicotera that “if I’m silent it’s not good, if I speak it’s not good”, and so on Alice the existence Carola says that “I’ll hang you here” instead of angering him that the only thing on his mind after he’s made his lemonade is the lack of reaction from Carola.
And anyway, if the Classic is struggling to get me, it’s not my fault. It is that especially for the male thrones there is such a concentration of male and female clichés – between the girl who “masks fragility with aggression” (which Marì, let me tell you, sometimes behind the aggression there is simply a character demmer *a, eh!), the mother on duty and the other with the troubled past who says right away but then “I don’t want to regret it” – just gnafaccio, I swear.
video from the episode: Whole episode – Tina: “The kiss? Gemma will be waiting for him for a long time…” – Tina: “Roberto, why haven’t you kissed Gemma yet?” – Pinuccia and Rosalia fighting – External from Federico and Alice – Federico, Alice and … “the other kiss” – External from Faith and Monica – Faith: “I’m fine with Monica” – Federico: “Carola, you are indifferent …”
Unreleased Videos: “I’m so out of balance…”