He wanted to remove the tooth immediately so as not to give rise to malice, insinuations and rumors. It is bizarre to say the least that a former minister is entrusted with a public service infotainment program and in the first episode she invites her parliamentary husband, who holds a senior position in a party, as the first guest. These are things that happen in Italy, but the effect is not always the one hoped for.
From the interview between Nunzia De Girolamo and her husband Francesco Boccia (which lasted half an hour!), in addition to the sitcom marriage theatrics, we learned that she crowned herself the “ideal mother” of a large family, and therein perhaps lay the problem Democratic member The party is not just Elly Schlein. De Girolamo, reassured by the tooth removal, began hosting with the annoying, intimate tone so fashionable on the faster-paced shows. Where does this lightness come from, this familiar approach to everyone, this familiarity that is always annoying on television and degrades every topic?
“Avanti Popolo” (Rai3) recalls “Aboccaperta” by Gianfranco Funari (TMC, 1981), one of the first programs that spoke to the heart of the country, borne out of the belief that the condominium meeting could be made spectacular. Funari gave space and voice to the expressionlessness of everyday life, he let the common man experience the thrill of the spotlight, at least at the beginning of his adventure, he created disorder in the silence of time. But does the People Show still make sense today, after so many lectures and in the age of social media, to give in to the desire of those who don’t get serious information about anything but discuss everything? It still makes sense to appeal to viewers with cries of “I will be on your side” and promise them “the desire for freedom.” These are moments in which the public service should rediscover its original spirit and, above all, give a voice to competence; The rest is harmful folklore. However, everything is better than “#cartabianca”, even if “Avanti Popolo” does not have an editorial identity at the moment (this policy has rightly been made clear), but on television you just have to persevere, you have to get used to everything, allow audiences .