Beatrice And Joseph They have an unstable and up and down relationship. First they move away and insult each other, then they get closer with hugs, attention and kisses. During the Puglia festival it seemed that the two competitors were thinking about another possibility of a new approach, but when they woke up, everything fell into crisis again and fell apart.
The actress lets off steam in the Giardino Paul, He made it clear that she no longer wanted a relationship of any kind, claiming that the barman constantly talked about her and approached her after the plane – where the couple’s fans distanced themselves from the competitor. “He talked to me about feelings before the plane,” explains Paolo, indicating that Giuseppe’s fault lies in his unstable nature. The boy advises that the two of them should start from the beginning, with the introduction, and leave the resentment and differences behind them. Otherwise they will always have problems.
“I don’t have the freedom to do anything,” says the actress. “I can’t dance with it, I can’t talk to it, everything leads to chaos. I have to pretend it doesn’t exist.” According to Paolo, the matter is different: Giuseppe never did anything to stop Beatrice from doing what she wants, it’s just that both of them should understand the boundaries , within which they are allowed to move. The actress shouldn’t provoke her boyfriend and he shouldn’t ask for more than he gets. The butcher is said to have advised the barman to take things slowly, the letter had put things back in perspective, then he made another mistake.
For her part, Beatrice wonders if Giuseppe is jealous of the other boys in the house, but Paolo says: “You can’t exclude yourself from anything” and continues to emphasize that the less they talk about this situation, the better it will be for both of them: “It’s a mistake of immaturity, but he cares about you.”
The actress states that Giuseppe always makes mistakes, everything he did was wrong. She doesn’t think she has a good opinion of him: “He says lies, ugly words, mean things. He’s not mature, there’s everything wrong with him. Unspeakable.”
Paolo tries to give more portraits of Garibaldi, but the actress is forceful and does not deviate from her opinion. Therefore, the butcher represents the only way to finally conclude this story without talking about each other. Beatrice agrees and doesn’t want him to talk about her anymore.
Is it officially over?