Piero Chiambretti, King of Disrespect, “Confused with Pupo”: Rating 8/9
“I'm very happy to be here, but I have to say that at the entrance they didn't want to let me in because they confused me with Pupo.” This is how Piero Chiambretti, in an award-winning criminal association with Nino Frassica, breaks in this special episode of Rischiatutto 70 the ice cream. His disrespect is always a deadly weapon. And our man actually spends the evening denying alleged violations of the regulation and, above all, the (mal)functionality of the booking response button. Your first memory of watching television? “Since I was an ass at school and we couldn't afford a nanny or a teacher at home, I remember Maestro Manzi, who gave me lessons 'on demand', as they say today.” Now in the first commercial break he and Frassica still painfully at zero points, they will emerge victorious in the end. Not just because of the quiz: they were there to put on a show and they did it very well without settling. It is rumored that Rai Chiambretti will entrust a program in the near future, possibly in prime time. Seeing him in such great shape, we hope so. Just don't send Pupo in his place…
Loretta Goggi against trap (and also “rap”): vote 5
One of the most intense moments of the entire episode was the guest appearance of Renato Zero. Given the Sorcini King's presence, Loretta Goggi takes the opportunity to talk about current music and tells him hand in hand: “With trap and rap (sic!), young people are inspired by you, they try to tell the story.” their problems, just like you did. Only they don't reach the heart of the listener, they don't make people sing, it's as if they only make empty sounds.” Zero answers with a single, very precise sentence: “You may think so, but let's Keep an eye on these kids because at the end of the day, all they want is to be listened to.” However, when it seems like two gossips are commenting on the bad times we live in, the singer ended Goggi's perhaps flimsy controversy immediately and implicitly legitimized every form of artistic expression. Actually, that's how it should be. No hats off to this outburst from Loretta, sorry.
Pippo Baudo surprisingly takes a swipe at Amadeus on Sanremo: vote 9
It's always a pleasure to see 87-year-old Pippo Baudo on television. The father of all TV presenters appears in connection with Rischiatutto 70 to wish Rai a happy birthday. His family's first television appeared in 1958, “when Modugno won Sanremo with Bius Nel Blu Dipinto”. Conti then asks him a question about the origins of (his) myth, asking him what kind of training he had to go through in his youth before becoming the holy monster we all know and love. Baudo’s answer is unexpected: “Gavetta? Hand! You may want to hear that I suffered a lot, but for me it was actually very easy. I came from Catania to Via Teulada in Rome and at first I was even disappointed because I expected to find Hollywood, but instead there was just an establishment like so many others. They didn't have time to let me attend an audition, but I forced them by telling them that I had the train to go home. I passed it and they immediately gave me a program called Close Up.” Finally, shortly before departure, the swipe at Amadeus: “My greatest love is still Sanremo. In fact, Carlo, when you see your friend Amadeus, tell him that Baudo did thirteen of the festival. He still has a long way to go!” Deliciously reckless.
Luca Argentero imperceptibly, when he was there, he slept: grade 5-
The only moment when his eyes shine is when scenes from the famous series “Doc – In Your Hands”, in which he is the protagonist, are shown live. For the rest of the episode, Luca Argentero collaborating with Loretta Goggi is unrecognizable. Of course, it doesn't help to stand out next to a holy monster like the voice of “Maledetta Primavera,” practically a living television encyclopedia. The problem is that we don't even try. Throughout the episode, one gets the impression that the Rischiatutto 70 quiz is based on another game: find the intruder. His first television memory is “Das We Bet That…?” by Fabrizio Frizzi. I watched it with my family and for me this show is associated with happy moments. However, right at the beginning of the episode, our man stops wasting his time and stands there, beautiful and impossible, winking at the camera. Is he simply missing the word? All he's missing is the language.
Mara Venier made sure the trains were late: grade 8
Inevitably, Carlo Conti asked all the VIPs involved the same question: What was their first television memory? Mara Venier gave one of the most tender and at the same time most telling answers to the television revolution: “My father was a railway worker and at some point he bought this television in installments. There weren't many of them back then, so all his colleagues came to us with their children to watch the shows together. I remember a wonderful time.” And we have no doubt about that. Only the usual, very funny Nino Frassica could have objected to a similar anecdote and in fact he objects: “Yes, but then the trains would stop running if all the railway workers stayed at home!” Do you know how many delays and “Did this matter cause inconvenience?” In fact, it may be so. However, Venier also stands out for his memory and speed of execution. Not a single one escapes him, not even half of them, so much so that at some point, faced with the complaints of his opponents, he gives in: “Okay, come on, I'm not pressing the button anymore!” “. Promise kept? Never. And for this reason too it is impossible not to adore Aunt Mara, railway workers and others.
Renato Zero thought Rai wanted to get rid of him: Rating 8+
He sings the immortal theme song “Viva la Rai” live and invests a lot in this guest show, involving both the audience and the VIPs present in the studio. Your first TV memory? “A deep fryer! We had this television at home courtesy of our three unmarried uncles. Admiral brand. It was fine, but when it was on it made a splintering noise all day long. After this funny anecdote, he begins with the usual monologue that we have come to expect from him on television. But this time less dark than usual. He talks about how his stage costumes were “a way to draw attention to myself because I felt alone and then I wanted to have people's ears and hearts.” Through this trick of mine, think Only you, I came here unscathed!” Then an appeal to the youth, to the new generation of local music: “When I started, people on the street were screaming at me. They said to me: 'Aò, but who are you? A Martian who came from nowhere?'. But later my way of being on stage inspired generations and even today I see children who have the courage to follow me. I want to tell them not to forget their education, “because university is an opportunity to grow with conscience and courage”. And a little “courage” is certainly not required to pursue this profession. When Conti asks him about his first participation in “Fantastico”, the King of Sorceresses answers unfiltered: “Rai perhaps thought that by giving me this opportunity he would finally get me out of the way, because the public would not understand me. “Instead, it had the opposite effect. And even today I have to thank everyone for trusting that boy from the suburbs who dressed strangely. As a farewell, he sings “The best years of our lives” in the middle of the audience, as if he wanted to hug them all. He leaves the studio amid wonderful general excitement. There are artists like that.
Nino Frassica is irresistible, he is the perfect spoilsport: rating 8.5
Where you put it, it doesn't fit. Nino Frassica from Rischiatutto 70 shares the quiz stand with Piero Chiambretti. The two are not only excellent “troublemakers” of the evening, but also win the game in the end. Not that the scene's most surreal comedian didn't do everything he could to defeat himself. It is impossible to get a serious answer from him, he always confuses her. And in a hilarious way. Your first TV memory? Quite simply: “It was still in black and white, but a crime film was being shown. I thought it didn't work very well. Also fatal is the anecdote of Mara Venier, who told of that wonderful time when her father, a railway worker, brought home the first television and his colleagues gathered in their living room to watch the programs, and the families watched them were instructed. “Uh, but the trains wouldn't leave like that if everyone at your place was watching TV! Do you know how many delays and inconveniences this thing has caused?” Uncannily enchanting. And irreplaceable.