Any reader under the age of 45 will be familiar with the Battle of Namek. It was a fight of life and death between Son Goku and Frieza, hero and villain respectively of the Dragon Ball Z series. In this fight, the planet Namek was about to explode (as a poster at the beginning of each episode reminded us) and that always told him there were 5 minutes left. I don’t remember the reason for the explosion, but I can tell you that the battle (actually the fight) lasted nineteen chapters. Every day the children came to the school to comment on how things had gone and hallucinated about the kicks, the punches and the destruction of Namek’s flora and fauna. In the second week it became a joke among the children.
Something like this will develop into the long finale of Save me. Since Borja Prado and Alessandro Salem must not understand each other, the main beam of Telecinco neither collapses nor is it painted a different color. Nothing, they are not clear. Borja is the typical person who runs a bank as well as an electricity company or a TV station. And Alessandro is a man who comes from the television circus. One wants a right turn and the other the familiar. Save me, has no place. But this farewell takes time. If Jorge Javier is absent, if Deluxe stays a month, if I filter out a possible sequel, if I go to Netflix. I’ll give you, directors of Telecinco, some advice as a fan of horror films: once a villain rises, that’s normal. If he revives two, that’s terror. Three Resurrections is a parody. When Namek explodes, make it explode quickly.
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