“Here is the Al Bano tax”. The audience of Sunday In He didn't seem to particularly like the choice Mara Venier to devote a large part of the program to the history of Sanremo Festivalto warm up the atmosphere ahead of the 2024 edition, which begins in a few weeks.
The viewers who follow and comment on Rai 1's Sunday broadcast Albano Carrisiof course, but also Tiziana RivaleHowever, much appreciated for both the voice and the size Tony Dallara (who at 87 even gets Zia Mara moving while singing Romantica), the former suppository Matia Bazar Silvia midnight (very good, but never loved so much Antonella Ruggieroone has to say), d wealth and poor. And the amount of teasing and criticism is honestly impressive.
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There are those who use sarcasm (“When I'm zapping, I turn on Rai 1 and can't put it down.” Domenica In is so interesting that if I were on the other networks, I would choose the program because of ideological and intellectual superiority would denounce. What are you kidding? That's what makes Obama pale”), while those who come across as flat and direct: “Karaoke in a retirement home?”, “How sad”, “A microphone for Marina Occhiena…off”, “On RSA. Someone is crashing live today,” “Thank God for that Amadeus We shouldn't accept that Al Bano and Co. are competing in Sanremo. I remember those festivals with Ron. Luckily, they're just a bad memory. Thanks Ama!” Villa ArzillaRSA department, really embarrassing”, “How many Sundays do we have to endure with these Jurassic episodes, I wonder”, “But there are also newer Sanremos… here they stop at the 80s…”.
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However, some people liked the diversity of the guests: “Well, I would like to have a Sanremo of Mara like this, with these artists.” Al Bano, of course, excluded: “Thanks to Aunt Mara, we spend a wonderful Sunday afternoon with the beautiful and timeless Italian songs.”
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