Umma Review IGN

Umma Review

Umma will hit theaters on March 18, 2022.

March appears to be motherhood month for Asians in film and television. With the release of Turning Red and Pachinko this month, which focus on mother-daughter relationships, it seems appropriate to release Umma, the Korean word for mother. And while his ideas about generational trauma are scary, Umma unfortunately isn’t, despite Sandra Oh doing her best with a disappointing script.

Umma tells the story of Amanda (Sandra Oh), an electrophobic beekeeper living off the grid with her teenage daughter Chrissy (Fievel Stewart). They are best friends – they do everything together, including beekeeping, raising chickens and reading books. But everything changes when Amanda’s uncle from Korea arrives with the remains of her ummah, whom Amanda abandoned many years ago. He tells her that she must pay her respects to her mother through a traditional Korean ceremony or she will never calm down. Shaken by the encounter, Amanda begins to have visions of her mother and memories of the abuse she endured, which caused her to develop a fear of electricity. A traumatized Amanda refuses to honor her dead mother, causing Umma’s spirit to slowly consume Amanda and turn her into the woman she feared most.

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Фильмы ужасов бывают разных форм и размеров, и за последние два десятилетия жанра, безусловно, было выпущено множество отличных фильмов, которые также настолько разнообразны, насколько и появляются.  У нас есть сочувствующие дети-вампиры, головокружительно тревожные новые рассказы о колониальной Новой Англии, свежие вариации классической истории о зомби, римейки старых фильмов, но вкусности, которые привносят в стол что-то значимое, диссонанс между родителями и детьми, воплощенный в сказочном монстре, и так далее. и многое другое.<p> Yes, the 21st century was a good time for horror fans.  So, join us in celebrating form with IGN’s list of the 31 best contemporary horror films.  (We’ll let you know why we chose number 31…) In terms of how we made our choice, we weighed several factors, including overall quality, intimidating potential, originality, thematic weight, genre impact, and of course, good quality.  old editor’s choice.</p><p> Read on to find out which films IGN has chosen for the 31 Best Horror Movies!” 16%3A9&quality=20&dpr=0.05″ class=”jsx-2920405963 progressive-image image jsx-294430442 rounded expand loading”/></p><p>Writer/director Iris K. Shim, in her first feature film Umma, is ambitious as she tries to use cultural and sociological storytelling to create an exhilarating horror film, but fails in this genre due to her choppy editing and harsh direction.  It attempts to spread fear through standard horror trappings: the sinister use of insects, creepy masks, creepy quiet moments, and the usual sounds of string violins.  Unfortunately, the Umma inherently lacks the tension and uncertainty needed to thrill.  It’s only through O’s performance that we see some kind of horror as Umma absorbs Amanda, but the camera never stays long enough to make it memorable.</p><p>Cleverly, however, the film focuses on the family trauma and guilt inherent in many Asian families, especially between immigrants and their first-generation children.  Amanda is given difficulty with a monologue in which she reveals some understanding of the struggle her abusive mother went through even though she knew she could no longer live with her.  The most frightening part of the film is the idea of ​​confronting childhood trauma, her overbearing mother, and the need to break with Eastern traditions while not forgetting her own identity.  Sometimes he moves from horror to a psychological thriller;  Is it all in Amanda’s head because of the burden of generations that has been passed down?</p><p>The ummah’s lack of explanation for its own references prevents them from being intimidating.</p><p>“</p><p>While the symbolism and potential interpretations are deep, they sometimes feel overwhelmed as there is ultimately no explanation for some of the images.  For example, in one of the visions Chrissy sees, the nine-tailed fox gumiho is eating one of their chickens.  If you are not familiar with Korean folklore, you will not understand why this is included.</p><p>Oh does the best she can with the script, and she’s fantastic at finding fault with the character as she deals with emotional damage from her childhood and wants to keep her daughter close.  Stewart is also impressive in showing her conflict between wanting to stay with her mother “like a good daughter” and wanting to leave the nest.  However, despite their believable chemistry, the relationship never seems to be consummated, instead they play it safe with a quick and predictable ending.  The film struggles to infuse social and cultural depth into the horror work, which has been proven more than possible in the past, but the lack of explanation for its own references keeps them from being frightening.</p></div></div></article><nav class= Post navigation