Elas por Elas ended its chapter on Friday (19) with the breakup of the relationship between Giovanni (Filipe Bragança) and Ísis (Rayssa Bratillieri). Disappointed, the boy realized that his lover already knew that he had been changed in the maternity ward, but decided to hide the truth. This was the second time in a week that the six o'clock soap opera used this trick to break up an audienceloved couple.
On Monday (15), Lara (Deborah Secco) broke up with Mário Fofoca (Lázaro Ramos) because the detective did not tell her that Taís (Késia) was Átilas (Sergio Guizé) “little duck”. Even if the twist is not particularly dramatically imaginative, presenting it twice in such a short time at least shows a lack of creativity on the part of the authors Alessandro Marson and Thereza Falcão.
What makes matters worse is that both situations were constructed in exactly the same way. Mário discovered Taís' secret, but followed his sister's requests to keep it because the model wanted to tell her friend the truth. But Roberto (Cassio Gabus Mendes) accuses the fan of the truth in order to destroy the romance between the lawyer and the clumsy investigator.
With Giovanni and Isis the script was the same. Adriana's daughter (Thalita Carauta) learns the truth about her lover when she overhears a conversation between Sérgio (Marcos Caruso) and Míriam (Paula Cohen) on the subject. She desperately wanted to open up to the boy, but she respected his grandfather's wishes without imagining that the rich man was her biological father and closed her mouth. But Cris (Valentina Herszage) reveals to the worried man that he was cheated on by his girlfriend.
In the best “there's nothing so bad it can't get worse” style, Fuzuê will fall into the same trap next week. Miguel (Nicolas Prattes) has already found out that Maria Navalha (Olivia Araujo) has cancer, but at Bebel's (Lilia Cabral) request, he agreed to keep the secret so that the singer could have the difficult conversation with Luna (Giovana Cordeiro). can lead yourself.
The big difference from the seven o'clock soap opera is that no villain will use this information to break up the good guy couple although there are no options with César (Leopoldo Pacheco), Julião (Romulo Arantes Neto) and… Preciosa (Marina Ruy Barbosa) is intent on destroying the romance.
Cleverly, the organic jewelry designer herself will suspect something is wrong when she notices her boyfriend and mother getting complicit looks. On Thursday (25th), the protagonist learns from Maria Navalha that Miguel already knew about the illness. Luna will confront the legal advisor about the lie, but he will be unable to justify himself, thereby condemning the end of another couple.
Lack of creativity and neglect by management
It's clear that a good series is about conflict for couples if the good guys don't encounter obstacles on the road to romance, they risk becoming boring, as is the case with Caio (Cauã Reymond) and Aline (Barbara Reis). was the case in “The Earth” and passion. However, it's hard to believe that Globo's novelists can't imagine other ways to break up romantic couples.
The repetition of the plot also shows a disregard on the part of the dramaturgy management for the six o'clock and seven o'clock soap operas. Someone in charge would have to pay attention to the three stories currently airing to prevent something like this from happening. Where are José Luiz Villamarim and his team?
The situation is dramatic because Elas por Elas and Fuzuê have disappointed the audience. The sixman series has so far accumulated an average of 14.8 points in the greater São Paulo area, while the sevenman series has 19.2 points these are the worst results for the two bands in the entire history of Globo.
But with a quick analysis of the series that aired for two weeks, it's easy to understand why soap operas have so little audience. If neither the writers nor the management of Globo Dramaturgy themselves seem to care about what is being broadcast, then why should the public care about the stories?
It is worth remembering that this care was already taken months before the premiere in the remake of Renascer, the network's big bet for 2024. When executives realized that the story of the farmer who hates his own son because his wife died during childbirth led to both Terra and Paixão and the 1993 remake of the classic, they asked Walcyr Carrasco to solve the problem To advance the conflict and create a new story for Caio. and Antônio (Tony Ramos).
Contacted on Friday (19th) to comment on the repetition of storylines and the dramaturgical management's disregard for the soap operas themselves, Globo did not respond to the report's contacts until the conclusion of this text.